The interactive bookshelf collection is a project that emerges from the idea of Köllen Bookshelf, an innovative piece of furniture that can be modified to the user’s will. Köllen Collection offers a set of decorative products inspired in the nordic style and in the same vein as the bookshelf itself.
Köllen Bookshelf is a modular and interactive bookshelf which structure can be adapted to the user’s need. Its structure is created from a modular sistem formed by the repetition of adaptable pieces which have an independent working in matter of position, thus offering a multifunctional and decorative bookshelf which form changes depending on the objects placed
The piece features the typical traits of the Nordic style, either in matter of material or the shapes used. The former is essentially natural and uses light tones with shades of white. Concerning the shapes, the order dominates with the regularity of strips, partly broken by the sinuous border. This latter shape represents the mountains, in a nod to the piece’s originary region, which is repeated in its very name, Köllen, which is Swede for Alps.
The two possible positioning of the strips give the bookshelf a sensation of dynamism. First of all, the vertical positioning allows for the rest of relatively high objects, for the space occupied by the strips is drastically reduced. Furthermore, the strips can be used as hangers while in this positioning. On the other hand, the horizontal disposition is meant for the traditional usage of a bookshelf. The independent working of the strips makes any combination of positioning possible at any moment.
The main material of the bookshelf structure is natural birch plywood originating from Finland of 20 mm in thickness, lacquer in white and with a finishing touch of matt varnish paint. The subjection of the various elements between them is accomplished by using ironwork of stainless steel.
KÖLLEN BOOKSHELF COLLECTION
Do you want to decorate your home in a simple wat? Look over Köllen Collection.
Köllen Collection is a parallel collection for Köllen made up of six complementary products that present the trading mark animals already used by the project: the deer, the goat and the bear. Moreover, this accessories are mainly wooden-made and include repetition of geometric figures in a nod to the principal product.
Furniture design studio formed by four students from Barcelona: Oriol Campillo Mestres, Núria Jané Ballarín, Adrián Soldado Cid and Paula Terra Bosch. Our way of designing is based on simplicity and functionality, along with dynamism and care in the finishing touches. In addition, we also turn to the use of warm materials and the combination of organic forms and order and regularity.
If you ever visited your grandparents’ or your great grandparents’ homes, you probably noticed how differently their rooms are decorated when compared to your own place. But have you though how the same rooms might have looked four, five or even six hundred years ago?
The designers at HomeAdvisor, a digital marketplace for home services, have created a unique project that shows how much the interior design trends changed over the past 600 years. From the wooden panels in Renaissance apartments to the funky and abstract furniture in postmodern style homes, check out the interior design trends throughout the years in the gallery below!
“Art and culture were reborn as the French Renaissance spread across Europe. Architects found a renewed enthusiasm for ornate decoration and fine detail, inspired by a new sense of humanism and freedom. Arabesque and Asian influences revitalized the decorative arts, and careful attention to symmetry and geometry brought a new sense of harmony to European interiors.
We designed the cabinet in our Renaissance living room image in the shape of a small palazzo (palace) which was common at the time. Its columns and balconies echo the shape of the building, evoking harmony. The Turkish rug is inspired by one seen in a painting by Hans Holbein the Younger, a German painter who lived in Renaissance-era London. Rugs like this were first woven in western Turkey in the 14th century and became very popular in Renaissance Europe.”
“Turkish rugs fell out of fashion during the Baroque period, as more opulent and elaborate architecture required fixtures and fittings to match. The Catholic Church was the first to develop this new sense of affluence as an attempt to impress the uneducated masses with their wealth and power. Hence the frames of the Louis XIV-style suite seem to be dripping with gold.
Beneath the gilded finish, the frame of the furniture was often made from tropical wood. Other exotic materials such as ivory were popular, and surfaces such as floors and table-tops were usually marble. Our color scheme here is dramatic and sensual. The play of light around a baroque living room would have been exaggerated to create a sense of movement and enormity.”
“Towards the end of the Baroque period, a subset of the style briefly stole the limelight. Rococo style (from the French word rocaille, meaning shell ornamentation) was famous for just three decades during the reign of Louis XV. It is lighter, more whimsical, and freer than Baroque. For some, it better suited the intimacy of the family home than the grand church style that came before it.
The shell and floral motifs in our Rococo living room are typical of the style’s more playful influence on home décor. The cabriole legs and scroll feet of the furniture delicately balance high-spirits and elegance. Social gatherings in the home were becoming more common in the early 18th century. The Rococo style allowed homeowners to demonstrate their wealth and taste without appearing showy or stuffy.”
“The late Georgian era ushered in a new age of architecture that responded to the Baroque and Rococo periods. The rediscovery of Pompeii contributed to new understandings of Roman and Greek architecture. This inspired a movement towards more ‘tasteful,’ refined, and timeless design principles, free from the pomp and novelty of the Baroque trend.
Notice the straight lines and logical, almost mathematical layout of our Neoclassical living room. These design principles were spread throughout Europe by artists studying at the French Academy in Rome. Note the column-like shape of the fireplace, lamps, and paneling. Colors were mild and undramatic. A plain palate emphasized the stoic, superior sense of form that the Neoclassical embodied.”
“The Arts and Crafts movement began in England as a reaction against the mechanization of creativity and the economic injustices of the industrial age. It was not so much a style as an approach, putting the responsibility for design and craft back in the hands of skilled workers. However, Arts and Crafts interiors shared an aesthetic of simplicity, quality of material, and a connection to nature.
The ideas and look of the Arts and Crafts movement spread to American living rooms via the influence of touring architect-designers, journals, and society lectures. Gustav Stickley was America’s foremost Arts and Crafts designer. You can see his influence in the chunky, function-led woodwork of the furniture in the image, which makes a feature of exposed joinery. This emphasis on wood, brass, and the artisan’s touch gives Arts and Crafts interiors a dark, earthy, and textured palette.”
“Art Nouveau was a ‘new art’ for a new century. Interior designers paired handcraft with new industrial techniques, which often made for an expensive process. Furniture and fittings were extravagant and modern, exhibiting the influence of Japanese art, which European artists were seeing for the first time near the end of the 19th century.
The vases and lamps in our Art Nouveau living room are inspired by Louis Comfort Tiffany, the celebrated artist and first Design Director at Tiffany’s. His glass-blown forms were a tribute to the natural world, and their lush, iridescent and swirling colors are typical of Art Nouveau.”
“If Bauhaus and Modernism were the utilization of 20th-century advances, Art Deco was a glamorous celebration. Interior designers were inspired by the geometry and motion of the machine age, materials, and symbols of ancient cultures, and rebirth in nature. And they weren’t afraid to use them all together.
Designers created a feeling of opulence by using a wide range of materials, including lacquered wood, stained glass, stainless steel, aluminum, jewels, and leather. Bold colors and striking contrasts conjured power and confidence.
Strong, straight lines echo through the fireplace and mirror trim to the skyscrapers in the woodcuts on the wall. Note also how these lines boldly counterpoint the shell-shaped sofa, flowing chairs, and spiky ornaments and houseplant.”
“Like the Arts and Crafts movement, Modernism is less of a style than a philosophy. “A house is a machine for living in,” said Swiss architect and designer Le Corbusier, the pioneer of Modernism. The Modernist living room utilized the latest materials and technologies. It was designed to be comfortable, functional, and affordable. Beauty was a bonus, although elegant design solutions were highly valued.
These ‘limits’ proved inspiring to the first generation of professional ‘interior designers.’ The table you see above is inspired by a famous design by Japanese-American designer Isamu Noguchi. It consists only of a plate of glass, two identical wooden supports, and a pivot rod to hold them together. The original Anglepoise lamp was invented by an engineer who was inspired by his work on vehicle suspension – demonstrating the close connection between Modernist interiors and the 20th-century industry.”
“The Bauhaus (rhymes with ‘cow-house’) was a hugely influential German school of art and architecture. It existed for just 14 years until the Nazi government closed it down in 1933. Bauhaus design was a radical subset of Modernism, with greater emphasis on the human spirit and the craftsperson. As with Modernism, form followed function. Bauhaus interiors were true to their materials, meaning that they didn’t hide the underlying structure of a furniture piece to make it pretty.
Our Bauhaus rug is inspired by the work of Anni Albers, a graduate and teacher of the Bauhaus school. Albers experimented with shape and color to produce textiles that were equally art and craft. The lamp is modeled after the MT8 or ‘Bauhaus Lamp.’ Its circular, cylindrical, and spherical parts create geometric unity and can be built with minimal time and materials. This type of opaque lampshade had only previously been seen in industrial settings.”
“The Mid-Century Modern movement emerged as a softer, suburban take on Modernism, integrating natural elements. Interior designers introduced rustic elements and freer use of color inspired by Scandinavian and Brazilian furniture trends. Materials such as rattan, bamboo, and wicker felt both natural and modern when brought into the living room in the form of chairs, mirrors, and trim.
Statement lighting remains a simple way to add pizzazz to a well-used family living room. The lampshade and standing lamp in our picture both borrow formal elements from Modernism and Bauhaus but have the playful look of repurposed outdoor tools. The bright mustard of the armchair and vases exemplify the common Mid-Century Modern technique of pairing muted neutrals with a saturated signature color.”
“Postmodern design can trace its artistic influences from epoch-defining surrealist, Marcel Duchamp, to Pop Art’s crown jester, Andy Warhol, to the ambiguous Bad Taste of Jeff Koons. It all came together in the 1980s when designers threw off the shackles of Modernism and approached interiors with a sense of humor and the brash confidence we associate with the decade.
In a Postmodern living room, every piece is a talking piece – because each one has a double-meaning or visual joke to unpack. The arches in our image question classical ideals of form, both flattening and unflattening a traditionally austere shape with an optical illusion conjured by their irreverent color palette. The rug’s meaning is simpler. It adds a rock n’ roll feel with its vinyl record shape – a Warhol-like ironic celebration of late 20th-century materialism.”
“A cluttered age calls for a pared-back living room. Today’s contemporary style borrows the clean lines of Modernism and the airy, outdoors feel of the Mid-Century Modern home. Interior designers in the late 2010s love to give a nod to Bauhaus by peeling away surfaces to show the materials at work. However, today’s cutting-edge building materials and textiles can sit happily alongside repurposed industrial features from past eras.
The smooth, bare floor and uncluttered walls of our contemporary living room create a typical sense of space and light. Abstract art on the walls prevents the area from feeling empty and draws out the subtle style of the otherwise minimalist surroundings. Observe, too, the use of line to draw your eye around, such as the horizontal central light, which is both extraordinary and very simple – and seems to widen and heighten the room.”
One day this guy just kind of figured “I spend most of my time on the internet anyway, why not turn it into a profession?” – and he did! Now he not only gets to browse the latest cat videos and fresh memes every day but also shares them with people all over the world, making sure they stay up to date with everything that’s trending around the web. Something that always peeks his interests is old technology, literature and all sorts of odd vintage goodness so if you find something that’s too bizarre not to share, make sure to hit him up!
That’s what the team at Ministry of Design asked themselves, says founder and director Colin Seah, when they got the chance to design a Durasport sporting goods flagship in a new mall in Safdie Architect’s Jewel Changi Airport in Singapore. Their answer? Make the space an experience, make furnishings as high-performance as the products themselves, and—like any good athlete—ensure flexibility.
The result is as much an R&D lab as a shop, with 2,000 square feet divided into four zones of activities incorporating state-of-the-art products (co-curated by Ministry of Design) and futuristic displays that include virtual fitting rooms, foot-powered climbing walls, and bicycles ready for a test-pedal.
“The custom display system required lots of design and prototyping,” Seah says, “but it enables a wide range of products which are different in shape, size, and display requirements. Also, each time Durasport brings in new products, they are able to ‘clip in and clip out’ to configure a new shelving display.” All that, plus new visual identities such as mylar shopping bags, silver foil name cards, and acrylic display tags create a true exercise in retail relevancy.
“Light and movement.” That’s what Sam Gores said he wanted to see upon entering his office in Los Angeles. And when the chairman and CEO of Paradigm Talent Agencyasks for something, that is precisely what he gets—particularly when the project is designed by Rottet Studio. Interior Design Hall of Fame member Lauren Rottet’s firm is itself a fixture in the entertainment business, with credits including offices for United Talent Agency and Viacom.
A powerhouse with eight locations across the U.S. as well as in Toronto and London, Paradigm “understood that architecture does matter,” Rottet Studio founding principal Richard Riveire begins. “They really get that an agency can leapfrog over competitors by bringing everyone under one roof, giving them a great place to work, and making sure that conversations and impromptu meetings happen.” So, employees from the music, literary, film, and TV divisions, previously at three separate L.A. sites, are now together in Beverly Hills.
Notable for a landmark fountain, a monumental pyramid, standing in the front courtyard, the 1980s building had a storied past as the former home of the agency ICM Partners but had been vacant for seven years. Though Riveire and principal Harout Dedeyan term their intervention there “tenant improvement,” that’s just Rottet Studio’s typically understated manner. We call the project a complete gut job, with only the limestone and granite wall cladding and the skylight retained. The 82,000-square-foot U-shape interior was entirely rebuilt. Plus, the courtyard, which previously “leaked like a sieve,” Riveire says, was repaved and replanted around the pyramid.
The greatest challenge was “to figure out new ways of working inside a 30-year-old building,” Riveire continues. “By jamming things together, we could create an exciting design that changes all the time.” The device that “moved the throttle setting toward more common spaces,” he explains, was the insertion of a central stair atrium—obviously the big move. “We had to whack out 1,000 square feet on two of the floors.”
No mere grand staircase, this. It’s not only the people connector between the three levels but also a multitasker. The lower, wider flight can serve as a vertical space for solo work, thanks to theblocky cushions scattered across the steps, or as a venue for all-hands company meetings, when combined with the reception area and an adjacent conference room.
Flights aren’t stacked but slightly rotated inside circular openings that differ in size—difficult to engineer, to say the least. “LED halos accentuate the perimeters,” Dedeyan says. The ensemble presents quite a climb, especially for those with vertigo. A mirrored ceiling produces a dizzying kaleidoscope effect, making the height appear as six stories, not three.
Sharing dramatic creds is the reception desk. Riveire, who’s highly knowledgeable about hospitality projects, too, compares it to “the front desk of a hotel.” He goes on to liken the long, purposely low form in mirror-polished stainless steel to “a squished pickle.” We see inspirations of sculptures by Anish Kapoor. Regardless, it’s an Instagram moment.
Speaking of art, there’s no shortage of spectacular pieces, some of them commissioned. Initiated by Gores, the program was assembled by a DJ-curator, DB Burkeman, in collaboration with a more conventional art consultant. Standouts include the atrium’s colorful text-based screen prints, kinetic black-and-white photographs of figures in the elevator lobbies, and a corridor’s collage inspired by comic books, hip-hop, and graffiti.
Surprisingly, knowing Rottet Studio as we do, furnishings are generally not custom. Widely available residential pieces, they could be found in many a stylish living room. Flooring, consistent with that vibe, is white-oak planks in common spaces. “The wood is a contrast to all that stone on the walls,” Riveire explains.
Carpeted work spaces follow the customary setup. Glass-fronted private offices for agents face assistants at a benching system. Most offices have sit-stand desks. (Many in the stand position during our visit.) Sprinkled among the offices are casual lounges, up for grabs as needed. What’s unusual is the lack of hierarchy among divisions. No single one ranks above any other.
Conference and meeting rooms and the “signing rooms” encircle the stair atrium. Really, though, everything is an ad hoc meeting space, includingelevator lobbies fitted out with chic and super-comfy seating. There are also pantries and coffee bars aplenty, the best, no doubt, being the ground level’s coffee lounge opening onto the courtyard. Pull up a stool to the marble counter, or plop down on a sofa or armchairs anchored by a houndstooth rug that blends with the same pattern rendered in floor tile.
The list of amenities goes on: a screening room with adjacent green room, another room filled with candy. According to Paradigm director of special services and guest relations Rozzana Ramos, clients come just to hang out. Linger long enough, and you might spot Antonio Banderas or Henry Golding reading a script or Chris Martin, Ed Sheeren, or Sia headed to the listening room where, Riveire says, they can “crank it up to 11.”
Keep scrolling to view more images of the project >
Project Team: Chris Jones; Theresa Lee; Pegah Koulaeian, Laurence Cartledge: Rottet Studio. Esquared Lighting: Lighting Consultant. Newson Brown Acoustics: Acoustical Consultant. Cybola Systems Corporation: Audio-Visual Consultant. Lendrum Fine Art: Art Consultant. Thornton Tomasetti: Structural Engineer. Arc Engineering: MEP. AMA Project Management: Project Manager. Clune Construction Company: General Contractor.
The story of how Emilie Halpern, a conceptual artist living in Los Angeles, came to reimagine her entire house in the Los Feliz neighborhood starts out with a girl crush. “I first met Jessie through our children’s preschool,” says Emilie, referring to Jessie Young of furniture and interior design studio Estudio Persona. “I remember thinking, Who is this cool lady with an accent wearing black leather shorts? I want to be friends with her.”
The women clicked, and soon enough Emilie became familiar with Jessie’s work at Estudio Persona, which she cofounded with fellow Uruguayan expat Emiliana González. Seeing the duo’s fresh approach to design and collaborative spirit captivated the artist. “I noticed how Jessie and Emiliana complemented each other, bouncing ideas back and forth very spontaneously,” says Emilie. “It was inspiring to see these two minds coming together and being so expansive—I wanted in.”
As it turns out, Emilie’s home, a post-and-beam construction from 1962, was in dire need of a makeover. The two-story, four-bedroom property looked rather gloomy and dated, with dark walnut slats covering some of the walls, mauve paint covering others, and a handful of old louvered windows that obstructed natural light. “I love beautiful things, but I didn’t have the skills to translate that into furniture and interiors,” she says. “Jessie and Emiliana came in and responded to what each room needed.”
While respecting the home’s midcentury style (those interior walnut slats stayed), the designers worked to create a lighter, more contemporary feel. They painted every non-paneled wall white, replaced a few windows, and paired custom pieces with items from their existing furniture collection, which is largely inspired by avant-garde sculptors and painters. The result is an effortlessly chic atmosphere where muted colors, natural materials, and sculptural shapes come together in a kind of earthy minimalism. “There was this very strong retro look that needed to be softened,” explains cofounder Emiliana. “We used a lot of blond wood and textures like jute to create a sense of calm and warmth.”
Estudio Persona’s pared-down esthetic was an ideal fit for Emilie, whose own sculptures, prints, and installations have a minimalist sensibility. “Now that the house is done, I miss them,” she says. “I actually still see them all the time, but I miss sitting there dreaming about what could be, and then watching it happen.”
Custom furnishings changed things up
Thanks to a few key pieces from Estudio Persona’s furniture line—matched with carefully selected artworks and accents—the living room and entrance went from midcentury to 21st century.
Minimalism is a calming force throughout
Several rooms in the house have a distinctly Japanese austerity, owing not only to Emilie’s taste but also to her lineage. “Her grandfather was a Japanese artist, so it was important to bring that heritage into her home,” Emiliana explains.
It’s all in the details
Small alterations make a big difference when it comes to lightening a room. The designers replaced a series of old louvered windows in the guest bedroom and playroom, which not only looked dated but also blocked sunlight, leaving the rooms dim and unwelcoming. Throughout the home, built-ins save the day when it comes to keeping things neat. Lastly, Studio Persona painted the formerly mauve walls a bright white.
The hospitality mogul’s sprawling West Village office embodies his frenetic genius: Renderings and design experiments from his projects are tacked onto the walls, hanging alongside well-wishes from celebrity associates over the years. Schrager has written down and laminated some of his epiphanies about innovation, which he references excitedly as he discusses his latest developments.
Intense color is the theme for this year’s roofing trends, according to the Metal Roofing Alliance (MRA), and homeowners aren’t shying away from vivid reds, bright whites, and deep blues. MRA also predicts that more homeowners will be drawn to bright titanium or stainless steel options, as well as the multi-tone hues of copper as it patinas over time.
“In years past, the tendency has been towards earth tones and subtle colors that blend in. This year, homeowners are seeking out bolder shades that draw attention and make their home distinctive,” says Renee Ramey, MRA executive director. “People are getting creative and they are finding that the latest shades of metal roofing options allow them to do just that.”
Bold color statements seem to be consistent across most 2018 predictions, as with Pantone’s Ultra Violet color of the year, MRA says. The organization, which represents metal roofing manufacturers across the U.S. and Canada, cautions homeowners to be careful with their roof selection and comfortable with its color for the long run, however, as metal roofs can last for 50-plus years.
MRA offers five tips for choosing a unique and on-trend style. First, homeowners should view their option in different weather and at different times of day, since the color will change in appearance depending on lighting. Homeowners should also consider the practicality of the option for their climate. For example, white metal roofs, or “cool roofs,” can be 50 to 60 degrees cooler than black asphalt shingle roofs, MRA says, offering greater energy savings.
MRA encourages homeowners to make sure their roof selection fits with the style of the home and surrounding neighborhood, and to opt for high-quality finishes and metals that will age well. Finally, the organization suggests trying out different color and style options with an online visualizer prior to making a purchase.
Navigating design terms can be as confusing as assembling a home entertainment system by hand. But to plan interior design that suits your highly specific, oh-so-original tastes and home, you need the language to talk about the nuances of certain styles.
If all you know about minimalist and Scandinavian design is that IKEA sells a lot of it, let us hand you the metaphorical power drill. Here’s everything you need to know about the two aesthetics.