Jessie Unterhalter and Katey Truhn, aka Jessie and Katey, are a Baltimore-based artist duo known for their bright and vivid large scale murals. They were recently approached by the Turchin Center at the Appalachian State University in Boone, North Carolina, and asked to paint a stairway located on the campus. The duo ended up creating an impressive rug-shaped mural draping down the steps, transforming the boring old stairway into a colorful piece of art.
In a recent interview with DeMilked, Jessie and Katey said that they have known each other since college and have been collaborating on murals since 2012. The duo is really inspired by architecture and says that they try to make each of their works as site-specific as possible. “Our style is really inspired by the space we’re working in,” explained the artists.
Artist duo Jessie and Katey recently painted this impressive rug-shaped mural on the Appalachian State University campus
The artists explained that their mural is loosely based on traditional weaving techniques and they thought it would be fun to push the textile idea even further by adding tassels. “We’ve actually done several rug murals throughout the years but this one is definitely the most epic,” said Jessie and Katey.
“When we were installing it, we basically gridded out the entire staircase and made an analog loom,” explained the artists. “There was a lot of math involved, getting the angles and perspective right was a challenge but eventually everything locked into place. To drive home the textile reference we added tassels to the end of the piece so people feel like they’re walking on rug.”
The duo found Boone to be a great place to work and have ended up staying and working there for the entire month.
The duo ended up turning a boring old set of stairs into an impressive work of art!
Jessie and Katey had done more impressive murals in the past, like this six-story building in Philadelphia
The Robert W. Deutsch Foundation in Baltimore
The Maryland Institute College of Art
These homes in Strasburg, Virginia, and many more!
One day, this guy just kind of figured – “I spend most of my time on the internet anyway, why not turn it into a profession?” – and he did! Now he not only gets to browse the latest cat videos and fresh memes every day but also shares them with people all over the world, making sure they stay up to date with everything that’s trending on the web. Some things that always pique his interest are old technologies, literature and all sorts of odd vintage goodness. So if you find something that’s too bizarre not to share, make sure to hit him up!
Leveling the single-story smattering of 1950s garages and factories was one option. Renovating, repurposing, and enlarging them was another. The former would provide a blank slate, the latter more of a challenge—but more character. Rapt Studio CEO and chief creative officer David Galullo, prolific designer of workplaces for such companies as Google, Twitter, and PayPal, opted to retain all but one of the six brick and concrete-block structures for the Marina Del Rey, California, campus now called MDR Truss. Today, it’s home to Zefr digital advertising, the Bouqs Co., an online farm-to-table flower delivery service, and real estate developer the Bradmore Group, the client that hired Rapt for the 130,000-square-foot project. So enamored with the result, president and CEO David Bohn decided to move the company into one of the buildings.
“David was looking to take advantage of what was here before,” begins Galullo, just off the plane from Milan, where Rapt showcased its debut Salone del Mobile installation Tell Me More. “He and his team understood that these little industrial buildings could actually add up to something pretty.” Rapt was tasked with creating the master plan for MDR Truss: Initial meetings with the client illustrated how the 3-acre site would be used, where cars could park, and how Rapt would work with the landscape architect to plant low-water and native species and create pedestrian pathways, among other essential changes. Bradmore was so impressed with the concept that the initial budget was increased. Ultimately, Rapt added a second floor to one building, decks to two of them, cleaned and re-painted all exterior masonry, and relocated entryways and exits and inserted roll-up glass garage doors for more light and better flow in nearly all the buildings. Additional outdoor spaces such as fire pits and a lawn for employee pets even “feel a bit resort,” Galullo notes.
Rapt was then hired again by Bradmore for its interiors and by Zefr for its offices, which occupy 40,000 square feet across four buildings. “We were morphing the exterior design based on what the interiors needed,” Galullo explains. Because all six buildings were leased prior to the completion of construction, the firm was able to deeply customize the design.
Creating an upgraded space for Zefr meant pushing a company with a start-up mentality—it was founded in 2008 and focuses on YouTube content targeting—into a more sophisticated space. “The idea was like Hey, we still want to be scrappy, but let’s have moments where we remind people that we’re heading in the right direction,” Galullo says. “For us, a brand is about the organization’s attitude, personality, and culture.” The result is a mixture of refined custom sectionals and walnut tables with furnishings from the hipper end of mass retailers and unpretentious, locally focused artwork. “It doesn’t feel like a dorm room, more like your second apartment,” Galullo adds, glancing down from the deck off one of the building’s newly added second floor at the rack of staffers’ sandy surfboards and the Zefr-branded skateboard ramp.
In Zefr’s main building, Rapt took advantage of the 16-foot ceiling with site-specific installations. One is at the entry: a cascade of white ribbons designed by art fabrication company Settlers LA that’s akin to an enormous ocean whitecap but that Galullo describes as “kind of flowy.” Neptune Glassworks, another area artisan, pitched its canopy of handblownglass orbs to Rapt and it ended up above the café, where occasional blue walls further nod to sea and sky.
Galullo calls Rapt “transdisciplinary, which is like equal measure on every discipline coming together to form something new.” In the case of Zefr, that meant curating an art and furniture offering “that’s an interesting and eclectic blend,” he says. “The last thing we want is for the office to feel like it was decorated to be perfect. People spend a lot of time here, so we focused on the spaces where people are going to hang.” So, for Zefr’s myriad lounge, meeting, and break-out areas, there’s always a duo of lounge chairs, plus a sofa, coffee table, and rug—a homey configuration that differentiates them from the rows of workstations.
The approach also meant eschewing corner offices (although there are private phone rooms in the core of each building as well as traditional conference rooms). One corner did surprise Galullo, however. It’s that outdoor deck space he created off a building’s new second floor. “I was worried it might feel like a cage because we wrapped it into the structure,” he recalls. “But it turned out to be an unexpected nugget.”
“When we set out on this project, we had to tell the story of both Zefr and the site’s history,” Galullo concludes. “It couldn’t just be about maximizing the number of parking spaces, although we did wrestle with that for quite some time.” In a locale where car culture still rules, that’s saying something.
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Project Team: Sam Farhang (Creative Director); Kristen Woods; Derrick Prodigalidad; Krisada Surichamorn; Glenn Yoo; John Stempniak; Gigi Allen; Andrew Ashey; Scott Johnson; Michael Maciocia; Sasha Agapov; Alex Adamson; Semone Kessler; Rosela Barraza; Daniela Covarrubias; Justin Chen: Rapt Studio. EPT Design: Landscape Architect. Structural Focus: Structural Engineer. KPFF: Civil Engineer. E Engineers: Electrical Engineer. Tarantino Construction: General Contractor.