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Tag Archives: Modernism

Designers Show How Much Interior Design Has Changed Over The Past 600 Years (12 Pics)

If you ever visited your grandparents’ or your great grandparents’ homes, you probably noticed how differently their rooms are decorated when compared to your own place. But have you though how the same rooms might have looked four, five or even six hundred years ago?

The designers at HomeAdvisor, a digital marketplace for home services, have created a unique project that shows how much the interior design trends changed over the past 600 years. From the wooden panels in Renaissance apartments to the funky and abstract furniture in postmodern style homes, check out the interior design trends throughout the years in the gallery below!

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Renaissance (1400 – 1600)

Image credits: HomeAdvisor

“Art and culture were reborn as the French Renaissance spread across Europe. Architects found a renewed enthusiasm for ornate decoration and fine detail, inspired by a new sense of humanism and freedom. Arabesque and Asian influences revitalized the decorative arts, and careful attention to symmetry and geometry brought a new sense of harmony to European interiors.

We designed the cabinet in our Renaissance living room image in the shape of a small palazzo (palace) which was common at the time. Its columns and balconies echo the shape of the building, evoking harmony. The Turkish rug is inspired by one seen in a painting by Hans Holbein the Younger, a German painter who lived in Renaissance-era London. Rugs like this were first woven in western Turkey in the 14th century and became very popular in Renaissance Europe.”

Baroque (1590 – 1725)

Image credits: HomeAdvisor

“Turkish rugs fell out of fashion during the Baroque period, as more opulent and elaborate architecture required fixtures and fittings to match. The Catholic Church was the first to develop this new sense of affluence as an attempt to impress the uneducated masses with their wealth and power. Hence the frames of the Louis XIV-style suite seem to be dripping with gold.

Beneath the gilded finish, the frame of the furniture was often made from tropical wood. Other exotic materials such as ivory were popular, and surfaces such as floors and table-tops were usually marble. Our color scheme here is dramatic and sensual. The play of light around a baroque living room would have been exaggerated to create a sense of movement and enormity.”

Rococo (1700)

Image credits: HomeAdvisor

“Towards the end of the Baroque period, a subset of the style briefly stole the limelight. Rococo style (from the French word rocaille, meaning shell ornamentation) was famous for just three decades during the reign of Louis XV. It is lighter, more whimsical, and freer than Baroque. For some, it better suited the intimacy of the family home than the grand church style that came before it.

The shell and floral motifs in our Rococo living room are typical of the style’s more playful influence on home décor. The cabriole legs and scroll feet of the furniture delicately balance high-spirits and elegance. Social gatherings in the home were becoming more common in the early 18th century. The Rococo style allowed homeowners to demonstrate their wealth and taste without appearing showy or stuffy.”

Neoclassical (1780 – 1880)

Image credits: HomeAdvisor

“The late Georgian era ushered in a new age of architecture that responded to the Baroque and Rococo periods. The rediscovery of Pompeii contributed to new understandings of Roman and Greek architecture. This inspired a movement towards more ‘tasteful,’ refined, and timeless design principles, free from the pomp and novelty of the Baroque trend.

Notice the straight lines and logical, almost mathematical layout of our Neoclassical living room. These design principles were spread throughout Europe by artists studying at the French Academy in Rome. Note the column-like shape of the fireplace, lamps, and paneling. Colors were mild and undramatic. A plain palate emphasized the stoic, superior sense of form that the Neoclassical embodied.”

Arts and Crafts (1860 – 1910)

Image credits: HomeAdvisor

“The Arts and Crafts movement began in England as a reaction against the mechanization of creativity and the economic injustices of the industrial age. It was not so much a style as an approach, putting the responsibility for design and craft back in the hands of skilled workers. However, Arts and Crafts interiors shared an aesthetic of simplicity, quality of material, and a connection to nature.

The ideas and look of the Arts and Crafts movement spread to American living rooms via the influence of touring architect-designers, journals, and society lectures. Gustav Stickley was America’s foremost Arts and Crafts designer. You can see his influence in the chunky, function-led woodwork of the furniture in the image, which makes a feature of exposed joinery. This emphasis on wood, brass, and the artisan’s touch gives Arts and Crafts interiors a dark, earthy, and textured palette.”

Art Nouveau (1890 – 1920)

Image credits: HomeAdvisor

“Art Nouveau was a ‘new art’ for a new century. Interior designers paired handcraft with new industrial techniques, which often made for an expensive process. Furniture and fittings were extravagant and modern, exhibiting the influence of Japanese art, which European artists were seeing for the first time near the end of the 19th century.

The vases and lamps in our Art Nouveau living room are inspired by Louis Comfort Tiffany, the celebrated artist and first Design Director at Tiffany’s. His glass-blown forms were a tribute to the natural world, and their lush, iridescent and swirling colors are typical of Art Nouveau.”

Art Deco (1920s to 1960s)

Image credits: HomeAdvisor

“If Bauhaus and Modernism were the utilization of 20th-century advances, Art Deco was a glamorous celebration. Interior designers were inspired by the geometry and motion of the machine age, materials, and symbols of ancient cultures, and rebirth in nature. And they weren’t afraid to use them all together.

Designers created a feeling of opulence by using a wide range of materials, including lacquered wood, stained glass, stainless steel, aluminum, jewels, and leather. Bold colors and striking contrasts conjured power and confidence.

Strong, straight lines echo through the fireplace and mirror trim to the skyscrapers in the woodcuts on the wall. Note also how these lines boldly counterpoint the shell-shaped sofa, flowing chairs, and spiky ornaments and houseplant.”

Modernism (1880 – 1940)

Image credits: HomeAdvisor

“Like the Arts and Crafts movement, Modernism is less of a style than a philosophy. “A house is a machine for living in,” said Swiss architect and designer Le Corbusier, the pioneer of Modernism. The Modernist living room utilized the latest materials and technologies. It was designed to be comfortable, functional, and affordable. Beauty was a bonus, although elegant design solutions were highly valued.

These ‘limits’ proved inspiring to the first generation of professional ‘interior designers.’ The table you see above is inspired by a famous design by Japanese-American designer Isamu Noguchi. It consists only of a plate of glass, two identical wooden supports, and a pivot rod to hold them together. The original Anglepoise lamp was invented by an engineer who was inspired by his work on vehicle suspension – demonstrating the close connection between Modernist interiors and the 20th-century industry.”

Bauhaus (1919 – 1934)

Image credits: HomeAdvisor

“The Bauhaus (rhymes with ‘cow-house’) was a hugely influential German school of art and architecture. It existed for just 14 years until the Nazi government closed it down in 1933. Bauhaus design was a radical subset of Modernism, with greater emphasis on the human spirit and the craftsperson. As with Modernism, form followed function. Bauhaus interiors were true to their materials, meaning that they didn’t hide the underlying structure of a furniture piece to make it pretty.

Our Bauhaus rug is inspired by the work of Anni Albers, a graduate and teacher of the Bauhaus school. Albers experimented with shape and color to produce textiles that were equally art and craft. The lamp is modeled after the MT8 or ‘Bauhaus Lamp.’ Its circular, cylindrical, and spherical parts create geometric unity and can be built with minimal time and materials. This type of opaque lampshade had only previously been seen in industrial settings.”

Mid-Century Modern (1930 – today)

Image credits: HomeAdvisor

“The Mid-Century Modern movement emerged as a softer, suburban take on Modernism, integrating natural elements. Interior designers introduced rustic elements and freer use of color inspired by Scandinavian and Brazilian furniture trends. Materials such as rattan, bamboo, and wicker felt both natural and modern when brought into the living room in the form of chairs, mirrors, and trim.

Statement lighting remains a simple way to add pizzazz to a well-used family living room. The lampshade and standing lamp in our picture both borrow formal elements from Modernism and Bauhaus but have the playful look of repurposed outdoor tools. The bright mustard of the armchair and vases exemplify the common Mid-Century Modern technique of pairing muted neutrals with a saturated signature color.”

Postmodern (1978 – today)

Image credits: HomeAdvisor

“Postmodern design can trace its artistic influences from epoch-defining surrealist, Marcel Duchamp, to Pop Art’s crown jester, Andy Warhol, to the ambiguous Bad Taste of Jeff Koons. It all came together in the 1980s when designers threw off the shackles of Modernism and approached interiors with a sense of humor and the brash confidence we associate with the decade.

In a Postmodern living room, every piece is a talking piece – because each one has a double-meaning or visual joke to unpack. The arches in our image question classical ideals of form, both flattening and unflattening a traditionally austere shape with an optical illusion conjured by their irreverent color palette. The rug’s meaning is simpler. It adds a rock n’ roll feel with its vinyl record shape – a Warhol-like ironic celebration of late 20th-century materialism.”

Contemporary (1980s – today)

Image credits: HomeAdvisor

“A cluttered age calls for a pared-back living room. Today’s contemporary style borrows the clean lines of Modernism and the airy, outdoors feel of the Mid-Century Modern home. Interior designers in the late 2010s love to give a nod to Bauhaus by peeling away surfaces to show the materials at work. However, today’s cutting-edge building materials and textiles can sit happily alongside repurposed industrial features from past eras.

The smooth, bare floor and uncluttered walls of our contemporary living room create a typical sense of space and light. Abstract art on the walls prevents the area from feeling empty and draws out the subtle style of the otherwise minimalist surroundings. Observe, too, the use of line to draw your eye around, such as the horizontal central light, which is both extraordinary and very simple – and seems to widen and heighten the room.”

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Aušrys Uptas

One day this guy just kind of figured “I spend most of my time on the internet anyway, why not turn it into a profession?” – and he did! Now he not only gets to browse the latest cat videos and fresh memes every day but also shares them with people all over the world, making sure they stay up to date with everything that’s trending around the web. Something that always peeks his interests is old technology, literature and all sorts of odd vintage goodness so if you find something that’s too bizarre not to share, make sure to hit him up!

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FXCollaborative-Designed Statue of Liberty Museum Opens in New York City

Opening day on the rooftop of the new Statue of Liberty Museum. Photography courtesy of FXCollaborative.

 

The Statue of Liberty has welcomed visitors and immigrants to New York Harbor since its installation in 1886 and now those who ferry over to see this powerful symbol, a centennial gift from France sculpted in copper by Auguste Bartholdi, can gain extra insight into its history and construction at the new Statue of Liberty Museum. Designed by New York City-based architecture firm FXCollaborative and opened today, the 26,000-square-foot museum features exhibits created by ESI Design, a NYC-based experience design firm, that includes the Statue of Liberty’s original torch as its centerpiece. The copper-and-glass emblem is set inside a 22-foot-tall glass vitrine offering sweeping views of the statue.

Read more: Warmth and Modernism Are at the Heart of 3XN’s Design for Olympic House

The centerpiece of the new Statue of Liberty Museum is this 22-foot-tall glass vitrine showcasing the statue’s original copper torch—and a view of Lady Liberty herself. Photography courtesy of David Sundberg/Esto.

 

“From the start, the Statue of Liberty Museum was conceived as a garden pavilion that would create a joyous and welcoming new experience for all visitors to the island, regardless of age, nationality, or ethnicity,” said Nicholas Garrison, design partner and project director at FXCollaborative. “Engaging the park’s formal plan, and in response to its spectacular setting, the island’s landscape is lifted and merged with the architecture to create memorable public space above, and in the Museum space below in a new geology. The building’s angular forms and spaces are shaped by its views and the irregularity of the water’s edge, celebrating liberty.”

Visitors enjoy the opening-day view of the Statue of Liberty Museum from Flagpole Plaza. Photography courtesy of FXCollaborative.

 

The Statue of Liberty Museum—which is targeted to achieve LEED Gold certification—is located on the north end of the pedestrian mall and features materials inspired by the UNESCO World Heritage Site island itself. A staircase leading from the statue to a granite roof terrace that offers panoramic views is done in the same “Stony Creek” granite used by Richard Morris Hunt for the pedestal more than 130 years ago, while copper fascia panels, spaced at irregular vertical intervals and made from the same type of recycled copper used in the statue’s 1986 restoration, are intended to patina with age—just as Lady Liberty has. 

Families trying out the interactive exhibits by ESI Design, which include a true-to-life reproduction of Lady Liberty’s copper foot, on the museum’s opening day. Photography courtesy of Keena Photo.

 

Inside the museum, the design was inspired by Bartholdi’s workshops in Paris and the Gustave Eiffel-engineered structure for the statue, that along with polished concrete floors and deep charcoal accents give the interiors an industrial feel. The interactive exhibits by ESI Design include an Engagement Gallery filled with artifacts and media detailing the statue’s construction and global impact and the Inspiration Gallery, where visitors can add their self-portrait and inspirational collage to the Becoming Liberty digital mural.

The Becoming Liberty digital mural by ESI Design at the Statue of Liberty Museum on opening day. Photography courtesy of Keena Photo.

 

The building, which is intended to look as its been “lifted” from the surrounding park, features green roofs planted with native vegetation and designed to insulate it as well as capture and filter rain water, while the grounds are planted with native grasses designed to act as a habitat for native species and migrating birds.

Project Architect Nicholas Garrison of FXCollaborative with New York Mayor Bill de Blasio at the Statue of Liberty Museum’s opening. Photography courtesy of FXCollaborative. 

 

The museum opened to the public on May 16, following a dedication ceremony presented by The Statue of Liberty-Ellis Island Foundation, Inc. and the National Park Service and attended by New York City Mayor Bill de Blasio and campaign chairperson Diane von Furstenberg.

Read more: History Museum in Graz by Innocad Architecture Wins 2018 Best of Year Award for Small Museum

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25 Sustainable Projects to Celebrate Earth Day

 

Happy Earth Day! Sustainability is becoming a standard in architecture, and LEED certification is only the beginning. These projects prove that green design is the new frontier.

1. Nieto Sobejano Arquitectos Strikes All the Right Notes With Arvo Pärt Centre in Estonia

Spanish firm Nieto Sobejano Arquitectos won a two-phase competition to design this center with their thesis that links music and architecture. Considering the ratio of glass to metal also became essential because of the layers of thermal insulation needed to create a sustainable and easily heated structure. But first Nieto Sobejano decided what the project shouldn’t have: right angles, a main facade, and a discernable front or back. Instead, what emerged was a pattern of “continuous links echoing the trees,” Sobejano says. Read more

2. Sustainably Designed and Architecturally Significant Buildings in Singapore

Not only is the entire 27-floor external facade wrapped in a natural vine covered sunscreen, but the Oasia Hotel Downtown also has four lush sky terraces, 1,793 large planter boxes, and four large structural cores that allow for good cross ventilation reducing the overall energy cost. Designed by WOHA and completed in 2016, the hotel is home to over 33 species of plants and 21 species of creepers. In addition, the 314-room property is notable for its striking interior design by Patricia UrquiolaRead about 7 more sustainable buildings in Singapore

3. Warmth and Modernism Are at the Heart of 3XN’s Design for Olympic House

Two of the most poignant concepts International Olympic Committee President Thomas Bach wanted the design to articulate were sustainability and transparency. 3XN certainly delivered; the build is LEED platinum-certified, and has reused 90 percent of the concrete from the previous headquarters that was demolished to make way for the new build. Read more

4. ACDF Architecture Partners With Architecture49 for Mega Project Parq Vancouver

Six stories high, capped with a 30,000-square-foot roof garden, this contemporary structure “is an urban oasis,”ACDF Architecture CEO Maxime-Alexis Frappier says. ACDF partnered with Architecture49 and their response was not a looming hulk but rather a curving, low-rise presence wrapped in a mirrored facade that reflects its surroundings. Aluminum louvers, capturing sunlight, reflect pixelated images of the Rocky Mountains in the distance. The daylight resulting from abundant glazing contributes to the project’s LEED Gold status, proving Parq fits into the global environment, too. Read more

5. Annapolis Residence by Bates Masi + Architects Wins 2018 Best of Year Award for Waterfront House

When a prospective client in Annapolis, Maryland, told Bates Masi + Architects‘ principal Paul Masi that he and his wife had recently purchased a house on the water, he really meant it: The residence’s second-floor deck literally hung right over a cove in the Chesapeake Bay. However, the 1970s structure was sorely outdated, located in the flood plain, and didn’t meet current energy codes. Masi’s solution yielded a new, flat-roofed house, raised three feet higher than its predecessor—and LEED-certified to boot. Read more

6. TPG Architecture Makes Headlines With Its Office for the Associated Press in New York

The AP staffers have had a chance to settle into their new digs by TPG Architecture, which have since been awarded LEED Gold certification. As you might expect, good news travels fast. As Carmel says, the office “compliments who we are as an organization.” That includes a bit of spirit, as seen at the perimeter of the café. There the white floor tile bursts into a confetti of colors, as if celebrating the much-decorated news agency. Read more

7. Tsingpu Yangzhou Retreat by Neri & Hu Design and Research Office Wins 2018 Best of Year Award for Green

For Neri & Hu, this project entailed repurposing and renovating existing structures—including a former warehouse that now hosts a restaurant, a theater, and an exhibition space—as well as erecting new ones, among them a lakeside pavilion containing four of the 20 suites. “The rustic materiality and layered spaces redefine tradition via a modern architectural language,” says Neri. Read more

8. Studio Rianknop Creates Flexible, Sustainable Space for Amsterdam Tech Company

When an Amsterdam company that manages a file-sharing platform decided to move from the city center to a warehouse near the city limits, it shared a few tasks with local design firm Studio Rianknop: Create a flexible space for the company’s staff; make it sustainable; and take advantage of the industrial space in a relaxing, inviting way. In a clever nod to the wires funneling data across the globe, a “cable tree” grows from the lower level with branches powering first-floor public spaces and a tubular chandelier. Read more

9. The Center for Fiction by BKSK Architects Brings Books and Sustainability to Brooklyn

The Center for Fiction started out as the Mercantile Library in 1821 and moved locations throughout Manhattan over the years. In 2008, it was rebranded, and more than 10 years later, the Center has a permanent home in a LEED Silver-certified building in downtown Brooklyn by BKSK Architects. In the writers’ studio, locally-made custom wool felt panels are perforated with the Center’s logo, an open book. Read more

10. ASID Headquarters Becomes World’s First Space to Earn LEED and WELL Platinum Certification

The Washington, DC office, designed by Perkins + Will, is brimming with features that support health and wellness. One is a circadian lighting system that mimics natural daylight, paired with automated shades that follow the sun’s movement to help eliminate eye strain. The design team also implemented biophilic design strategies, for instance by using a range of natural materials and patterns. Read more

11. Mohawk Group’s New NYC Showroom Embraces Wellness

Located in a former textile factory in historic Chelsea, Mohawk Group‘s 13,000-square-foot showroom was designed by Gensler and incorporates LEED and WELL Building Standard qualifications, fully expressing Mohawk’s company ethos: Believe in better. Read more

12. Huntsman Architectural Group Downsizes McKesson for Maximum Efficiency

For McKesson’s San Francisco office, Huntsman Architectural Group went with undeniably contemporary furnishings. Sui generis, however, is a break room’s custom bench, a repurposed conveyor belt hinting at McKesson’s core business. Which brings us to the fact that the premises are going for Well Building certification as well as LEED Gold. Read more

13. Perkins + Will Creates a Contemporary Office for Nixon Peabody in New York

Perkins + Will designed this space to be easily reconfigured as needs change. A feature stair connects the office’s three levels with show-stopping views of the city, and floor-to-ceiling glass walls help foster synergy between practice areas. It was also awarded LEED Gold certification. In all, the office is a balance of functionality and design statement. Read more

14. Five Global Green Projects Pay it Forward

For Park + Associates‘s own office, minimal intervention transformed a 1960’s former school into a showcase of clean-lined design, thanks to vintage furnishings, a black-and-white palette, and painted-steel arches highlighting the reinforced-concrete barrel vaults. Read about all 5 global green projects

15. SKB Architects Creates Lively Lobby for Key Center Office Tower

No longer merely pass-through places, lobbies have become hotel-esque settings. They entice potential tenants to lease, and existing tenants get a perk that might entice them to stay. Such is the case at the Key Center office tower across the water from Seattle. After purchasing the 23-story building, Kilroy Realty Corporation opted to implement changes resulting in LEED Platinum certification and to transform the immense lobby into a “people place,” SKB Architects senior principal Shannon Gaffney recounts. “That’s our thing.” Read more

16. Mosa Tiles Enliven Venetian Villa by JM Architecture

Italian studio JM Architecture outlined a sustainable agenda to maximize the home’s energy-efficiency. Mosa’s LEED-contributing ceramic tiles, which received Cradle-to-Cradle® Silver certification, join the multitude of eco-friendly features that distinguish the villa, including inlaid photovoltaic panels and radiant floor heating. Read more

17. Venable by Alliance Architecture Wins 2017 Best of Year Award for Large Law Office

Moving to a gleaming LEED Platinum palace in the booming East End, this 117-year-old law firm left behind the endless dreary silos of its former headquarters and embraced a cultural shift toward wellness and ergonomics. Thanks to Alliance Architecture, sunlight penetrates offices with clear glass enclosures, every employee has a motorized standing desk, and the café opens onto a terrace complete with barbecue grills, a fire pit, a bar, and a bocce court. Read more

18. 1 Hotel’s Miami Beach Debut by Meyer Davis Studio

Meyer Davis Studio was charged with transforming the lower eight stories of a 1968 building into 1 Hotel Miami. “We paid homage to the natural landscape of south Florida,” Meyer notes—versus the art deco razzle-dazzle typically associated with the area. Moves large and small rack up points in the quest for LEED Silver certification. Uses of reclaimed wood represent a virtual forest preserved. Dialing down to details, Meyer andDavis specified organic bed linens, hemp mattresses, and clothes hangers molded from recycled paper, while bedside note pads have disappeared in favor of chalkboards. Read more

19. Lotus Square Art Center by Shenzhen Dae Wins 2018 Best of Year Award for Outdoor

It’s basically common knowledge these days that installing a green roof on a building helps reduce its energy use, absorb stormwater, and combat air pollution. This practice has become increasingly mainstream in hotter developed land masses known as urban heat islands. One such is Hengqin island, overlooking Macau. That’s where this sculptural verdant roof tops an art exhibition hall. Read more

20. Six Futuristic Projects Sprouting Green Roofs

From reducing storm water runoff and city dust to energy-efficient cooling, the benefits of green roofing go beyond beautification. As costs lower and technology makes installation easier, this environmentally conscious trend is increasingly defining the facades of both existing and new buildings. A 660-foot-long undulating wave of verdant green grass forms a rooftop park at Université Paris-Est’s technology and science center, the Espace Bienvenüe designed by Jean-Philippe Pargade. Read about all six green roofs

21. Kimpton Travels to the Caribbean

Amid the sea blues and sandy whites of this resort, there’s a good amount of green, too: A solar array generates electricity, rainwater is harvested for maintaining the landscape, and air-conditioning is geothermal. Read more

22. Mortenhals House by Stinessen Arkitektur Wins 2017 Best of Year Award for Green

The unusual configuration of this family compound by Snorre Stinessen, comprising multiple cabins, plays with the way that the visitor slowly discovers what’s hidden behind the wooden doors. Even the outdoor areas remain private, with only waterscapes or trees as neighbors. In addition to the aesthetic appeal of the design, it checks off all the eco-conscious boxes: The forest was protected during the building process, all wood was sourced locally, water is used with restraint, and electricity is primarily hydropower. Read more

23. HKS’s Loretta Fulvio Decodes U.S. Bank Stadium, Site of Super Bowl LII

When designing for a Super Bowl–sized audience, there’s no greater expert than Loretta Fulvio, lead interior designer for architecture firm HKS’s Sports sector. When tasked with designing the U.S. Bank Stadium in Minneapolis, Fulvio and her team sought to create experiences that extend far beyond Super Bowl Sunday. In the stands, visitors can feel good about making a positive impact: 91 percent of waste is recycled, composted, or donated, due to the concession stands using compostable packaging. And the entire venue is run on wind power. Read more

24. San Vicente 935 by Lorcan O’Herlihy Architects Wins 2018 Best of Year Award for Rental Apartment Building

All apartments in this building have balconies overlooking the central courtyard. Its accessibility eliminates the need for interior, climate-controlled hallways, saving on energy consumption. For the solid faces, Lorcan O’Herlihy employed two materials that contrast each other for visual interest and also help to reduce scale. Siding is fiber cement made of recycled content. Screens, which act as a rain-shield system, are slats of ipe harvested from a local, sustainably managed forest. Read more

25. A Bamboo Kitchen Dominates This Super-Green House by Minarc

Built with prefab panels, this 2,500-square-foot structure by Minarc is sustainable to the max. Bathrooms overflow with eco consciousness. In the powder room, wood scraps stack up to form a vanity supporting a sink in recycled rubber. For a truly back-to-nature experience, right next to the soaking tub in the master bathroom, there’s a lush plant wall. Read more

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Los Angeles Designers Honor Rudolph Schindler at MAK Center

Fitzpatrick Leland House (R.M. Schindler 1936). Julius Shulman Photography Archive © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10)

Austrian-American architect Rudolph Schindler was a maverick of modernism. In the early 1920’s, the Frank Lloyd Wright protege amassed a portfolio of avant-garde residences emblematic of California modernism—well before Pierre Koenig or Richard Neutra popularized the style. Despite his prescience, Schindler mainly received posthumous recognition. Philip Johnson famously rejected him from MoMA’s landmark International Style exhibition, nor was he included in the Case Study Houses program.

Atelier de Troupe’s pendant fixture illuminates a Schindler sofa. Photography by Esteban Schimpf.

Los Angeles’s MAK Center for Art and Architecture is paying homage to Schindler through a series of exhibitions, starting with “Pin-Up: A Designed Tribute to Schindler’s L.A” at the architect’s Fitzpatrick-Leland House. The show evolves from “Schindler Goes West,” an exhibition at Paris’s Triode Gallery during the city’s design week in September, in which five Schindler enthusiasts (who all practice in Los Angeles) showcased furnishings and light fixtures that riff on his style. The designers—Atelier de Troupe creative director Gabriel Abraham, furniture guru Brendan Ravenhill, Interior Design Hall of Fame members Marmol Radziner, designer Pamela Shamshiri, and artist John Williams—reunite for “Pin-Up,” which shows original pieces alongside reinterpretations.  

Table, chairs, and light fixture by Brendan Ravenhill Studio. Photography by Esteban Schimpf.

“Pin-Up: A Designed Tribute to Schindler’s L.A.” will display until February 11. By appointment only. The Fitzpatrick-Leland House is located at 8078 Woodrow Wilson Drive, Los Angeles, CA 90046.

Sideboard and table lamp by Pamela Shamshiri. Photography by Esteban Schimpf.
Schindler armchairs flank Pamela Shamshiri’s trolley; overhead, Brendan Ravenhill’s light fixture. Photography by Esteban Schimpf.

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