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Tag Archives: Interior Design

25+ Amazing Room Makeovers Showing What A Great Designers Can Do!

It doesn’t take an interior decorator to know that a nice rug can really tie a room together. Sometimes some creativity and a little elbow grease can go a long way in making even the most hopeless of rooms into something beautiful.

The guys at Bored Panda have created a list of stunning home makeovers that will inspire you to try some renovation for yourself. Roll up your sleeves and start picking out paint as you’re getting some inspiration from the gallery below!

h/t

#1 Bathroom

Image source: JENNIFER FERNANDEZ

#2 Remolded My Master Bath

Image source: shrunkenhead

#3 Outdoor Space

Image source: prettyinthepines

#4 A Dark Co-Op Interior Redesign Into An Urban Retreat

Image source: decorid

#5 First Time Made Over My Friend’s Studio Apartment. Here’s A Before And After. It’s Also The First Time Anyone Asked Me To Design Their Home

Image source:  watermelonpep83

#6 An Airstream Trailer Makeover

Image source: designsponge

#7 Remodeled Fifth Wheel Camper

Image source: The Scenic Route

#8 Five Stark Apartments Became A Breathtaking Manhattan Triplex

Image source: architecturaldigest

#9 Makeover

Image source: mountainmodernlife

#10 Living Room Transformation

Image source: theuncommonlaw

Continue reading 25+ Amazing Room Makeovers Showing What A Great Designers Can Do!

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20+ Times Designers Proved That Less Is More

There’s nothing better than a simple minimalist design that brings you a clean, free feeling.  But attaining this minimalist aesthetic is not as easy, sometimes designers need to put a lot of effort and thinking into their designs to make the result look as simple as they do. This list compiled by Bored Panda proves just that, and it’s an inspiration to all of us what a good product looks like. From a genius minimalist business cards to creative book covers, this list proves that you don’t need anything extra to create a good design!

Scroll down to check out the list for yourself! (h/t)

#1 This Business Card Shows All Contact Info Using Only An Email Address

Image source: HeyBuddy_

#2 Awesome Beer Cans Show The Pantone Color Of The Brew That’s Inside

Image source: txaber.net

#3 The Cover Of 1984

Image source: Adronauts Berlin

#4 This LED Clock

Image source: kibardindesign.com

#5 Really Smart And Also Minimalist Design

Image source: Ozyman_Diaz

#6 Simple And Clever Milk Branding Concept That Features A UFO Space Ship Lid

Image source: Kan Salt, Marcel Sheishenov and I-Media Creative Bureau

#7 Pop-Outlet

Image source: thisiswhyimbroke.com

#8 Cover Illustrations For Each Harry Potter Book

Image source: Kincső Nagy

#9 Oddly Satisfying Knife Set From Delgon

#10 A Silly Light

Image source: Kosho Tsuboi

Rugile Matuseviciute

I’m just helping you to stay updated!

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These Soundproof Tiles Will Make Any Music Studio Look Cool

Design studio Form Us With Love has created unique wall tiles using a material called wood wool. This material, also known as excelsior, is usually used for such things as packaging, cushioning and even toy stuffing. Now it is turned into an interior design that not only looks good but is also sound absorbent moisture and fire resistant.

Creating beautiful visual patterns on walls, this product can be used in music studios for its sound dampening qualities and the product is also eco-friendly! Scroll down to see how it looks yourself!

(h/t Yanko Design)

Design studio Form Us With Love has created unique wall tiles using a material called wood wool

design-wood-wool-tiles-form-us-with-love-2.png

This material is usually used for such things as packaging, cushioning and even toy stuffing

It not only creates beautiful patterns on the walls but it is also fire and moisture resistant

This product can be used in music studios for its sound dampening qualities

And the product is also eco-friendly!

See the whole process captured in a video!

Rugile Matuseviciute

I’m just helping you to stay updated!

 

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This Amazing 2D Cafe In Japan Looks Like It’s Straight Out Of A Comic Book (18 Pics)

The newly-opened “2D Cafe” in Tokyo, Japan is exactly what it sounds like – a cafe where everything appears to be in 2D! As soon as you walk in through the front door, you’ll instantly feel like you’re a comic book character. Neat, huh?

The coffee shop is located in the Shin Okubo district of Tokyo and it’s every Instagrammer’s dream. Everything inside – from the tables and chairs to the curtains and wallpapers – is made to resemble a black and white comic book or a cartoon.

More info: twitter.com | Instagram

Image credits: 2_dcafe

Come in, grab some bubble tea and a piece of pie and enjoy the comic book experience.

Image credits: 2_dcafe

Image credits: 2_dcafe

After spending some time inside, you might get confused with what’s real and what’s merely drawn on the wall. So make sure to double-check before trying to walk through the door – it just might be a drawing!

Image credits: 2_dcafe

Image credits: 2_dcafe

The “2D Cafe” has all sorts of treats for everyone with a sweet tooth, ranging from bubble teas to patbingsu – a Korean-style shaved ice dessert that comes in a variety of flavors, like strawberry and banana.

See more pictures from this amazing cafe in the gallery below and don’t forget to check out the amazing Yeonnam-dong 239-20 Cafe in Seoul here!

Image credits: yoshidakaityou

Image credits: yoshidakaityou

Image credits: 2_dcafe

Image credits: 2_dcafe

Image credits: 2_dcafe

Image credits: tomomi.enrairan

Image credits: soranews24

Image credits: _s26xa

Image credits: color_ng

Image credits: 2dcafe_shinokubo

Image credits: 2dcafe_shinokubo

Image credits: 2dcafe_shinokubo

Image credits: 2dcafe_shinokubo

Aušrys Uptas

One day this guy just kind of figured “I spend most of my time on the internet anyway, why not turn it into a profession?” – and he did! Now he not only gets to browse the latest cat videos and fresh memes every day but also shares them with people all over the world, making sure they stay up to date with everything that’s trending around the web. Something that always peeks his interests is old technology, literature and all sorts of odd vintage goodness so if you find something that’s too bizarre not to share, make sure to hit him up!

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25 Terrible Interior Design Choices Captured By Real Estate Agents

Designing a nice interior for your home is quite the art form – every little mistake you make, you’ll be seeing every day, meaning everything has to be perfect. Yet sometimes these mistakes are unavoidable and all that’s left is to learn to live with them and hope that none of your guests notice them. Now, this could work – until it comes the time to sell your house. Believe us when we say that real estate agents notice everything – and we mean everything.

Recently, real estate agent Venessa Van Winkle shared a collection of the craziest home designs her fellow real estate agents captured at work and most of them are so bad, they’re hilarious. From carpet-lined bathrooms to claustrophobia-inducing toilets, check out the most terrible interior design choices captured by real estate agents in the gallery below!

 

#1

Image source: Venessa Van Winkle

#2

Image source: Venessa Van Winkle

#3

Image source: Venessa Van Winkle

#4

Image source: Venessa Van Winkle

#5

Image source: Venessa Van Winkle

#6

Image source: Venessa Van Winkle

#7

Image source: Venessa Van Winkle

#8

Image source: Venessa Van Winkle

#9

Image source: Venessa Van Winkle

#10

Image source: Venessa Van Winkle

#11

Image source: Venessa Van Winkle

#12

Image source: Bored Panda

#13

Image source: Venessa Van Winkle

#14

Image source: Venessa Van Winkle

#15

Image source: Venessa Van Winkle

#16

Image source: Venessa Van Winkle

#17

Image source: Venessa Van Winkle

#18

Image source: Venessa Van Winkle

#19

Image source: Venessa Van Winkle

#20

Image source: Venessa Van Winkle

#21

Image source: Venessa Van Winkle

#22

Image source: Venessa Van Winkle

#23

Image source: Venessa Van Winkle

#24

Image source: Venessa Van Winkle

#25

Image source: Venessa Van Winkle

Aušrys Uptas

One day this guy just kind of figured “I spend most of my time on the internet anyway, why not turn it into a profession?” – and he did! Now he not only gets to browse the latest cat videos and fresh memes every day but also shares them with people all over the world, making sure they stay up to date with everything that’s trending around the web. Something that always peeks his interests is old technology, literature and all sorts of odd vintage goodness so if you find something that’s too bizarre not to share, make sure to hit him up!

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ASID Interior Design Billings Index 2nd Quarter 2019 Results Webinar


Join the American Society of Interior Designers (ASID) for a live webinar that will provide insight on the current business conditions for the interior design industry as determined by the ASID Interior Design Billings Index 2nd Quarter 2019 report. The IDBI is produced by ASID Research and Knowledge Management in partnership with Jack Kleinhenz, Ph.D., and Russ Smith, Ph.D., both of Kleinhenz &… More

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What to Do When Your Clients Don’t Want Their Space Photographed

For designers an image is worth more than1,000 words, but for some clients, so is their privacy

When Your Client Doesn't Want Interior Design Photography
Illustration by Christina Zimpel

An exceptional portfolio is key to business, allowing you to pique the interest of prospective clients or submit work to a publication for consideration. For some disciplines, this practice is straightforward: Fine artists, for instance, can typically digitize and circulate their images for portfolios with ease, as they often own the rights to their work. But interior designers and architects, who work on commissions, usually need to get their client’s approval to share images of those projects. That’s not always the easiest thing to do, especially if the project is a private residence.

Sometimes—in fact, oftentimes—you’ll end up working with clients who refuse to have their space photographed because they want to maintain their privacy. In those cases, it’s essential to arm yourself with some techniques to handle such situations, since, as New York–based designer and illustrator Jason Grimesnotes, “You’re only as good as a photograph of your last project, especially at the Instagram-sharing pace the world has adopted.”

Here are several strategies to keep in mind when trying to convince clients to have their space photographed.

Put photography in your contract from the start.

The best way to work around a no-photography situation is to avoid it completely. Lawyer Alex Ross, a partner at Ross & Katz, PLLC,who works closely with designers, highly recommends including a clause about photographing a space—both before and after the project—in your standard contract. “This way we’re able to manage expectations from the beginning, so the client knows that photography is important,” he says. Work closely with an attorney to hammer out the details—you want to be sure you’re getting the rights you need.

Negotiate. Suggest stricter terms, such as ensuring anonymity, or offer a first right of refusal.

Even if you have a clause about photography in your contract, the client may strike it out before signing. That’s the time for negotiation. If your original wording didn’t mention anonymity, it’s a great place to start. Offer your client complete privacy, ensuring that no identifying details about the home or its owners will be shared with publications, on your website, or on social channels. Work on finding a middle ground with your client that still allows you to add photographs of your project to your portfolio.

It sounds obvious, but sometimes long discussions can change your client’s mind. Again, having a lawyer in this situation would be advantageous, as he or she could help negotiate specific rights.

Ask to photograph details only.

Say that your client is standing his or her ground during negotiations. The next tactic to try is to give in, just a tiny bit. “Aside from slowly convincing the client over the course of the project, the best solution I’ve found is to focus on the details,” says Grimes. “All of my work is super-detailed and hyper-custom, so detail photos go a long way. These cropped photos may not make a publication, but they can at least be used in my portfolio.”

Go to court.

Or at least threaten to. “I haven’t any seen any designers who actually go to court about this issue, but we’ve certainly threatened it,” says Ross. Going to court is probably more expensive than it’s worth (and will also cost you a client relationship), so it’s not always advisable to do so, but the option is there.

Work with brokers if the property goes up for sale.

If you’ve lost out on negotiations and the client simply won’t budge—and you decide not to take the matter to court—it doesn’t mean all hope is lost. If the client decides to sell the home, there’s a chance the space will be photographed to woo prospective buyers. In some instances, you can negotiate a deal with the broker to retroactively add those images to your portfolio.

Read More

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ASID Awards Gala Comes to Atlanta, TaC Studios-Designed Coworking Space Opens, and More News in Atlanta

MAK Games Brought Out Design Industry’s Competitive Edge at Sheats-Goldstein Residence

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Puro Lodz Hotel by ASW Architekci and Superfutures Honors a Polish City’s Rich Artistic Heritage

PROJECT NAME Puro Lodz Hotel
LOCATION Poland
FIRMS ASW Architekci, Superfutures
SQ. FT. 75,000 SQF

Puro Lodz in Poland was far from an easy commission for Superfutures founder Andy Martin and ASW Architekci partners Michal Ankiersztajn, Dariusz Stankiewicz, and Jaroslaw Wronski. It had taken Martin several years to persuade the owner of Puro Hotels to let him craft the 75,000-square-foot interior of the brand’s sixth property. “We had to convince him that we could offer something different,” Martin begins.

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The snack bar’s communal table is custom. Photography by Anna Stathaki.

Once they finally got the gig, the team found itself struggling with all sorts of spatial challenges in what Martin calls an “awkward site.” Puro Lodz had a few differences of its own to offer. It stands between the neo-baroque Poznanski Palace from 1903 and a renovated late 19th-century red-brick factory now a mixed-use complex. But the hotel is also a ground-up, five-story construction, so it’s both metaphorically and spatially lodged between the city’s industrial past and its future as a hip urban playground.

That meant the building took the alinear form of a long, narrow rectangle, which, Martin says, “became one of the project’s unique qualities.” But, “It was extremely challenging from a design perspective. The common areas could be rearranged, but we were basically stuck with the footprint.” It wasn’t what he’d expected, but Superfutures made it work.

Glass pendant fixtures and ‘60’s-inspired carpet, all custom, join Verner Panton seating in the cinema bar at Poland’s Puro Rodz hotel by ASW Architekci and Superfutures. Photography by Anna Stathaki.

Martin has been running a London firm called AMA for two decades. He launched Superfutures when companies began submitting requests for pro­posals that required him to oversee the art direction of projects, and, as he puts it, “employing the necessary creatives.”

> Browse through more hospitality projects featured in Interior Design

And Puro Lodz is loaded with the work of creatives. Superfutures utilized the local artistic resources to design the hotel. Poland’s third largest city, it boasts several excellent art museums, the Herbst Palace Museum and Muzeum Sztuki among them, plus the renowned National Film School in Lodz, and the in­teriors reflect that heritage. The firm worked with Puro Hotels art advisor, Zuzanna Zakaryan, who consults on all properties, to help select the modern art. She sought out the best students and graduates from the photography department of the film school as well as area craftspeople and illustrators. “Our collection is based on a young generation of emerging artists that not only fit with the spirit of the interiors and the city but are also a good investment,” she says.

A custom concrete screen separates the lobby from the lounge. Photography by Anna Stathaki.

The seven suites feature original wall hangings by hometown weaving studio Tartaruga. Some of the 130 guest rooms feature original illustrations inspired by Lodz’s famous interwar pioneers of avant-garde art, Katarzyna Kobro and Wladyslaw Strzeminski. The lobby staircase descends alongside a cinematic mural from local illustrators Ilcat and Maciej Polak. And contemporary painting and photography, as well as vintage film posters, populate the remainder of the project.

That includes its crowning glory, Cinema Paradiso, an in-house movie theater that pays homage to Lodz’s filmmaking culture. “We pushed to get a cinema into the scheme somewhere,” Martin says. “We tried the underground garage, an external one in the forecourt, but we finally decided it would get more use inside the hotel.” The second-floor space can also function as a meeting room, with the adjoining bar area great for break-out sessions. (There’s an official conference room on the same floor.) “Hotel guests often sit in their rooms to watch TV,” the architect continues, “so the cinema is an attempt at providing social activity.”

Vintage movie posters hang in the conference room. Photography by Anna Stathaki.

Martin, who worked on the furniture selection closely with the owner, settled on a European-centric “dusting of new creative designs,” he says, to combine with his custom pieces throughout, including the chromatic 1960s-inspired carpet in the cinema and conference room. Other pieces are what he calls “visual classics” with an eye toward comfort, such as the Verner Panton bar chairs and stools upholstered in plush turquoise or blush velvet. That palette extends to some walls, coated in saturated salmon, indigo, or teal paint. Guest rooms, however, are more restrained, with furnishings by the likes of Hans Wegner and millwork in pale tones; white ceramic tile lines guest bathrooms. And reception, with its desk that morphs into a stair, is outfitted almost entirely in gray concrete.

> Check out our projects page for more design inspiration

While the hotel may honor classic elements of Polish life, it also features two restaurant concepts of today: a healthy snack bar serving smoothies and wholesome breakfasts at a long communal table and an organic bistro with a Thai vibe. There’s also a state-of-the-art spa with a view of Poznanski Palace that Martin says shouldn’t be missed. In all, it’s an interior born from substantial artistic tension and original ideas. The project’s wealth of creative talent, Martin says, “adds another layer and complexity to the experience. It put us off balance a bit—and the guests benefit.”

Keep scrolling to view more images of the project >

Cast-in-place concrete forms flooring in reception and treads on the stair, which leads up to the cinema and conference room. Photography by Anna Stathaki.
The coffered ceiling is also cast-in-place concrete. Photography by Anna Stathaki.
The bar’s plaster ceiling morphs into light fixtures. Photography by Anna Stathaki.
The cinema’s 26 seats were inspired by the Eames lounge chair. Photography by Anna Stathaki.
Local illustrators Ilcat and Maciej Polak spray-painted the lobby’s site-specific mural. Photography by Anna Stathaki.
ArrmetLab designed the stools and chairs in the bistro. Photography by Anna Stathaki.
The suite’s lounge chair is also by Wegner. Photography by Anna Stathaki.
A Hans Wegner chair pulls up to a suite’s custom desk. Photography by Anna Stathaki.
Leather straps secure a guest room’s cushioned headboard. Photography by Anna Stathaki.
Bathroom tile is ceramic. Photography by Anna Stathaki.
The spa’s sauna is clad in custom wooden planks. Photography by Anna Stathaki.

Project Team: Martyna Antczak-Galant; Michal Karykowski; Hanna Sawicka; Maria Swarowska:ASW Architekci. Nadia Sousa; Ben Webb; Mitch James; Kathrine H. Børresen; Adrian Jönsson: Superfutures. Atrium: Lighting Consultant. Bud-Ekspert: Structural Engineer. Elsa Projekt: Electrical Engineer. Wiso: Plumbing Engineer. Hotel Inwest Ireneusz Dudek: General Contractor.

Product Sources: From Top: Verplan: Chairs, Stools (Cinema Bar). Wenart: Custom Table (Conference Room), Side Table (Suite). Vibia: Pendant Fixtures (Reception). Arrmet: Stools (Bar), Chairs, Stools (Bistro). Caloi: Custom Chairs (Cinema). Gubi: Lamps (Suite). Carl Hansen & Søn: Chairs (Suite). Chelsom: Custom Sconce (Guest Room). Hansgrohe: Shower Fittings (Bathroom). Kvadrat: Cur­tain Material (Suite). Muuto: Cocktail Table. Moroso: Sofa. Throughout:Ege Carpets: Custom Carpet. Kasthall: Custom Rugs. ITNYS: Flooring.

> See more from the July 2019 issue of Interior Design

Continue reading Puro Lodz Hotel by ASW Architekci and Superfutures Honors a Polish City’s Rich Artistic Heritage

10 Questions With… Matteo Thun

Cala Beach Club at Hotel Cala di Volpe in Porto Cervo on Sardinia. Photography courtesy of Matteo Thun & Partners.

A holistic approach to nature and wellness drives Matteo Thun’s built projects. The award-winning Italian architect and Interior Design Hall of Fame member co-founded the iconic Italian design and architecture collective the Memphis Group with Ettore Sottsass in 1981, before striking out on his own, forming Matteo Thun & Partners in 2001. Thun’s happiest designing something new, he admits, and his firm’s creative eye, honed out of a headquarters in Milan and an office in Shanghai, is behind a long list of high-profile hospitality and healthcare projects spanning the globe.

Enter the Best of Year Awards by September 20

Most recently, summer saw the reassembly of Thun’s temporary beach structure, Cala Beach Club on the breathtaking Emerald Coast of the Italian island of Sardinia. Situated at Hotel Cala di Volpe in Costa Smeralda, a playground for the rich and, at times, famous—many of them yachting enthusiasts—Cala Beach Club is an environmentally sensitive structure only accessible by foot or boat. In summer it hums with private parties, with clientele seduced by the stunning natural landscape. Interior Design sat down with Thun to hear more about the Cala Beach Club, what toy kicked off his imagination at a young age, and which project reachable solely by cable car he considers a career turning point.

Interior Design: What was your overall design goal for Cala Beach Club?

Matteo Thun: Cala di Volpe is a beautiful beach in Sardinia. We wanted to create a shady oasis just between the woods and the sea. Restaurant, bar, and treatment rooms have been designed to melt within the landscape, to respect the charm of this special place.

ID: What was particularly challenging about this project?

MT: This property is reachable only by boat or on a path through nature. Since it serves only for the season, we designed a removable structure that is easily to assemble and dismantle.

Cala Beach Club at Hotel Cala di Volpe in Porto Cervo on Sardinia. Photography courtesy of Matteo Thun & Partners.

ID: What materials did you use and why?

MT: The structure unites with the beach vegetation, terraces value the inclination of the land, and views are open to the sea. We only used natural materials that integrate with the surroundings, such as chestnut wood and bamboo. All colors are natural and warm.

ID: What else have you completed recently?

MT: We like to bring nature inside and believe in concepts that emphasize an overall healthy lifestyle as a main approach. Healthy architecture and interior design guarantees physical and mental well being, allowing a relationship between humans and the environment. In Obbürgen, Switzerland, the Waldhotel at Bürgenstock Hotels & Resort, which opened at the end of last year, is a space for wellness and medical services. It’s made from local stone and wood, and nature will take over in a few years so that the building will melt with the mountain. As with most of our projects, we also designed the entire interior.

Another recent project is the new headquarters for Davines, an Italian beauty company dedicated to sustainability and based in Parma, Italy. Here, we grouped traditional rural shapes and innovative volumes around a greenhouse that serves as a restaurant for the employees. Maximum architectural transparency with a minimum amount of masonry elements provides every working station with a view of the green areas.

The Waldhotel at Bürgenstock Hotels & Resort in Obbürgen, Switzerland by Matteo Thun & Partners. Photography by Andrea Garuti, courtesy of Matteo Thun & Partners.

ID: What’s upcoming for you?

MT: The Evangelisches Waldkrankenhaus Spandau in Berlin at the largest university orthopedic center in Europe. Waldkrankenhaus means ‘hospital in the forest’ in German, and the new hospital building and rehab building connected to it will transform the hospital campus into a health center with a hotel character. This project represents our idea of a healing environment, an architectural and organizational structure that helps the patient and his relatives endure stressful situations caused by illness, operations, treatments, and sometimes pain.

Another hospitality project, a health bathing spa with medical treatments and maximum comfort, is underway in Bavaria, at Tegernsee, a resort town on the banks of Germany’s Tegernsee Lake. Nature is also the point of departure here and was key to the project. The landscape design integrates the existing flora and references the natural presence of water, allowing a direct communication with nature without interfering with the privacy of the patients.

The Evangelisches Waldkrankenhaus Spandau in Berlin by Matteo Thun & Partners. Photography courtesy of Matteo Thun & Partners.

ID: Is there a project in your history that you feel was particularly significant to your career?

MT: I designed the Vigilius Mountain Resort in South Tirol more than 15 years ago. It was one of the first design hotels, made from local larch wood and reachable only by cable car. The owner and I shared the same vision: to create a hotel that fuses with its surroundings, a place where you can breathe and relax instantly. Now, after all these years, the wood has a beautiful patina and the hotel a constant influx of international clientele.

ID: What are you reading?

MT: I very much like to read books in parallel: such as German philosopher Martin Heidegger with a novel or short story by Italian journalist and writer Italo Calvino

The Vigilius Mountain Resort by Matteo Thun & Partners. Photography by Serge Brison, courtesy of Matteo Thun & Partners.

ID: How do you think your childhood influenced your design thinking?

MT: My parents took me regularly to the Venice Biennale, so I became familiar with art and architecture at quite a young age. I grew up in nature, in the mountains near Bolzano, Italy, where my mother worked with pottery. She gave me clay to play with—so I had to use my imagination to have fun with it. I was always very close to material and materiality.

ID: How do think the Italian design culture influences your overall approach?

MT: In Italy, architecture is approached holistically. Let me quote Italian architect and writer Ernesto Rogers: ‘From spoon to city.’ This means working on a chair, on a lighting product, and on a house at the same time. We’ve worked like this in my office since the beginning, and the different teams of architects, interior designers, and product designers perform across disciplines.

Another big strength is Italian craftsmanship. At Salone del Mobile 2019, we launched a wood chair collection produced by F.lli Levaggi, a small manufacturer in Liguria, Italy, and work regularly with the glassblowers from Murano, such as Venini, Barovier & Toso, and Seguso. We very much believe in ‘Made in Italy.’

The Vigilius Mountain Resort by Matteo Thun & Partners. Photography by Vigilius Mountain Resort, courtesy of Matteo Thun & Partners.

ID: Is there a person in the industry that you particularly admire?

MT: Ettore Sottsass, chief designer of Olivetti. I first worked for him as an assistant, then we formed Sottsass Associati and in 1981 we co-founded Italian design and architecture collective Memphis Group. Memphis had an important formative influence on my career, and provided a platform to experiment with the challenges of constant innovation. Ettore designed the first Italian computer—in the late 1950s.

Keep scrolling for more images of projects by Matteo Thun >

The Vigilius Mountain Resort by Matteo Thun & Partners. Photography by Florian Andergassen, courtesy of Matteo Thun & Partners.
The Waldhotel at Bürgenstock Hotels & Resort in Obbürgen, Switzerland by Matteo Thun & Partners. Photography by Andrea Garuti, courtesy of Matteo Thun & Partners.
The alpine suite at the Waldhotel at Bürgenstock Hotels & Resort in Obbürgen, Switzerland by Matteo Thun & Partners. Photography by Waldhotel, courtesy of Matteo Thun & Partners.
The pool at the Waldhotel at Bürgenstock Hotels & Resort in Obbürgen, Switzerland by Matteo Thun & Partners. Photography by Waldhotel, courtesy of Matteo Thun & Partners
The Davines headquarters in Parma, Italy by Matteo Thun & Partners. Photography by Andrea Garuti, courtesy of Matteo Thun & Partners.
The Nudes seating collection by Matteo Thun, launched at Salone del Mobile 2019. Photography by Marco Bertolini, courtesy of Matteo Thun & Partners.

Read more: 10 Questions With… Gert Wingardh

Continue reading 10 Questions With… Matteo Thun

Universität Stuttgart Uses Robotics and Biomimicry to Create an Outdoor Event Pavillion

Researchers from Universität Stuttgart in Germany look to a sea creature and advanced digital timber-fabrication methods to construct an event pavilion called Buga Wood Pavilion for a horticultural show.

A group of 18 researchers and craftsmen led by Universität Stuttgart professors Jan Knippers, a structural engineer, and Achim Menges, an architect contributed to the project. “A biomimetic approach to architecture enables interdisciplinary thinking,” says Menges.

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Buga Wood Pavilion took 13 months to develop, and 17,000 robotically milled finger joints and 2 million lines of custom robotic code to build.

Photography courtesy of Universität Stuttgart.

To create the Buga Wood Pavilion for a horticultural show in nearby Heilbronn, Germany, researchers at Universität Stuttgart’s Institute for Computational Design and Construction and its Institute of Building Structures and Structural Design developed a robotic-manufacturing platform to CNC-cut geometric panels and form a segmented timber shell.

Photography courtesy of Universität Stuttgart.

Composed of spruce laminate, a rubber waterproofing layer, and a larch plywood exterior, the individual segments were fabricated at Müllerblaustein Holzbauwerke, a local workshop. 

Photography courtesy of Universität Stuttgart.

Working on boom lifts, craftsmen assembled the structure on-site over 10 days. 

Photography courtesy of Universität Stuttgart.

The 376 segments were joined via steel bolts. 

Photography courtesy of Universität Stuttgart.

The pavilion’s form is based on the exoskeleton of the sea urchin. 

Photography by Roland Halbe.

Buga’s form echoes the surrounding land­scape of  Sommerinsel, one of the 15 sites that the biennial Bundesgarten­schau takes place this year. 

Photography by Roland Halbe.

The combination of spruce, rubber, and larch plywood make the installation acoustically sound. 

Photography by Roland Halbe.

Fully assembled, the pavilion spans 104 feet and reaches 23 high.

Photography by Roland Halbe.

It is hosting concerts, lectures, and workshops through October 6, when it will be disassembled for future use. 

Photography by Roland Halbe.

LEDs illuminate the shell at night. 

> See more from the July 2019 issue of Interior Design

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