New York–based Sydell Group led the design, which incorporates 60-foot vaulted ceilings, grand copper entry doors, intricate millwork, and ornate brass detailing.
Following the LINE’s Los Angeles flagship—an edgy, Sean Knibb–designed space in a stripped-down, concrete-heavy 1960s building in Koreatown—the eclectic D.C. neighborhood of Adams Morgan seemed an odd change of direction for the hotel’s sophomore iteration.
Continue reading In D.C., the Line Hotel Transforms a Neoclassical Church into a Design Sanctuary