As Milan Design Week 2018 draws to a close, we revisit the installations that made an impact.
“Beyond the Deep” by Lindsey Adelman x Calico Wallpaper
Lighting doyenne Lindsey Adelman joined forces with Calico Wallpaper to present “Beyond the Deep,” an immersive undersea installation at Via Pietro Maroncelli 7. It marks the launch of Adelman’s Drop System, a De Stijl–inspired lighting series that features hand-blown mini globes affixed to verdigris-finished brass tubes. Backdropping Adelman’s fixtures are Calico Wallpaper’s brand-new Oceania collection in three shades and fluid-like Sumi collection in a custom colorway.
“ACT III” by Apparatus
After creative director Gabriel Hendifar mined his personal cultural history as a first-generation Iranian-American to conceive Apparatus’s latest product introductions, he transformed the studio’s Milan showroom (Via Santa Marta 14) into a snapshot of bygone memories that simultaneously looks to the future. Hendifar infused each piece with Persian history—the brass-tubed Talisman sconce replicates details found on statues in Persepolis, while the gently curved Drum table evokes the Tombak, a foundational instrument in Persian music.
“Le Roi” by Marc Ange
After his installation Le Refuge took home top honors as the most Instagrammed piece of Milan Design Week 2017, Marc Ange returns both bigger and bolder. His signature leaf lamps, this time in a shimmering gold, beckon visitors inside a throne-like room where a giant bear lounge chair—illuminated by two Refuge lamps—presides over a duo of Les Araignées chairs, each upholstered in royal blue Sunbrella® fabric. Le Roi displays at Wallpaper*’s Mediateca di Brera space (Via Moscova 28) until April 22.
“Open Sky” by COS x Phillip K. Smith III
Phillip K. Smith III’s work challenges perceptions of light and space, particularly in California’s Palm Desert, where he’s based. So when Swedish fashion brand COS approached him to devise a site-specific installation during Salone del Mobile, he took on a new medium: 16th-century Italian architecture. Nestled inside Palazzo Isimbardi, Open Sky’s faceted mirrors reconfigure the surrounding colonnade into a geometric abstraction. The buildings dramatically pull away as one moves toward the center, until fully encircled by vast sky’s languorous drift and color changes. “Each participant is in control of how the sky and architecture merge across the nearly 14-meter-diameter surface,” Smith notes, making each experience unique.
“For You Everyone” by Herman Miller
To celebrate the launch of Cosm, Herman Miller’s first auto-tilt chair designed by Studio 7.5, the storied office furniture company transformed their Brera Design District digs into a veritable high-design automobile showroom called “For You Everyone.” Neon signage invites visitors inside, where Cosm’s size and color variations preside on clusters of pedestals. Visitors can then test drive the task chair’s Auto-Harmonic Tilt, experiencing how adaptable the workplace of the future is—and how Herman Miller is responding to the ever-changing office landscape.
“Into Marble” by Nendo and Marsotto edizioni
Prolific design firm Nendo teamed with Marsotto edizioni to devise “Into Marble,” a poetic exhibition where clean-lined marble furniture melts into liquid. Each piece sits askew on puddle-like pedestals, to which Nendo manually surfaced with gentle ripples. Pieces by Claesson Koivisto Rune, Jasper Morrison, Philippe Malouin, and Konstantin Grcic all make an appearance. “Into Marble” runs until April 22 at Spazio Bigli (Via Bigli 11/A).
“My Dream Home” by Piero Lissoni, Elisabetta Illy, and Stefano Guindani
Photographers Elisabetta Illy and Stefano Guindani present “My Dream Home,” an exhibit that juxtaposes photographs of Haitian children alongside drawings of their “dream homes.” Interior Design Hall of Fame member Piero Lissoni collaborated with Dmeco Engineering to design the venue: twelve stacked shipping containers in the colors of Haitian houses. All proceeds from the show, open until April 28 at the Cortile d’Onore of Universita Statale, will be donated to Fondazione Francesca Rava to construct homes in Cite du Solei, Haiti.
“Swarovski Palazzo” by Swarovski
To mark the third phase of its home decor collection, Swarovski reveals four new product collaborations inside a grand greenhouse set within a hidden courtyard of a neoclassical Milanese palazzo (Corso Venezia 16). Objects by John Pawson, Nendo, Patricia Urquiola, and Peter Pilotto—who all push boundaries of crystal artistry—are featured, as are new lighting collections from Swarovski Crystal Palace by Tord Boontje and Marjan van Aubel.
Observatory by Lee Broom
Lee Broom’s stellar-inspired lighting fixtures, two years in the making, take center stage at “Observatory,” a traveling installation in a Grade II–listed building (Via Lovanio 6) in the heart of the Brera Design District. Eclipse, Orion, Aurora, and Tidal all glisten amid gallery-like environs, which Broom will show during NYCxDESIGN and the London Design Festival. “I wanted to create a celestial collection of sculptural lighting which is progressive and experimental using the latest LED technology,” says Broom.
“Altered States” by Snarkitecture x Caesarstone
To kick off Eurocucina, quartz manufacturer Caesarstonetapped Snarkitecture to explore the kitchen island at Fuorisalone. The New York–based collaborative practice then examined liquid as the kitchen’s most crucial element, channeling ice, water, and steam to create Altered States at Palazzo dell’Ufficio Elettorale di Porta Romana. Anchoring the amphitheatrical installation is a circular kitchen island surfaced in layers of Caesarstone White Attica, a nod to natural topography. Over 250 metal mesh pedestals in monochromatic gradients—emblematic of Snarkitecture’s oeuvre—gather around.
“Perfettamente Imperfetto” by Dimorestudio
One of three installations by Dimorestudio, Perfettamente Imperfetto (Via Solferino 11) showcases the studio’s Progetto Non Finito and Oggetti collections. Decidedly neutral backdrops, such as a corridor lined with white parachute silk, highlight precious materials and artistic expression, as seen in spider-like floor lamps that nod to Louise Bourgeoise.