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Tag Archives: architecture

A quick refresher on architecture’s continuing battle with earthquakes

Antonio Pacheco

Jul 9, ’19 12:45 PM EST
View of damage following the 1994 Northridge earthquake that struck Los Angeles. Image courtesy of FEMA.

View of damage following the 1994 Northridge earthquake that struck Los Angeles. Image courtesy of FEMA.

With earthquakes in the news following a pair of recent tremors in California, it’s important to remember that seismic design is an integral and increasingly complex aspect of building design architects work hard to address. An ever-improving standard, seismic codes not only save lives, but also help to shape the built environment, and in places like California, play a large role in terms of building design, overall. 

Below is a round-up of some of Archinect’s recent earthquake-related coverage.

Changing seismic codes and other earthquake-related issues are currently coming online in many American cities, including in Seattle, where new seismic standards for tall buildings have prompted worries about the safety of certain types of existing buildings. 

Seattle boosts seismic construction standards for new skyscrapers, but older high-rises are biggest concern

In San Francisco, seismic concerns run deeper than meets the eye. There, much of the city’s downtown is built atop landfill areas prone to liquefaction, with many of the city’s tallest buildings designed with obsolete structural designs. 

italy
The town center of Amatrice in Italy was destroyed during a 2016 earthquake. Image courtesy of Leggier il Firenzepost.

Are San Francisco skyscrapers prepared for the next big earthquake?

Los Angeles, meanwhile, has embarked on a long-term plan to retrofit its massive stock of “soft-story” structures, buildings that are constructed without enough shear wall protection and are therefore likely to collapse whenever the “Big One” strikes. 

Twenty-four years after the Northridge quake, Los Angeles still has thousands of ‘soft-story’ buildings to retrofit

As part of a ten year plan, the Los Angeles City Council agreed to allow landlords and tenants of the city’s 15,000 soft-story apartment complexes to share the costs for upgrading the structures. 

In Los Angeles, landlords and tenants will share seismic retrofit costs

Internationally, earthquakes have wrought extensive damage to many regions over the last decade, including in Taiwan, where a 6.4-magnitude earthquake toppled many buildings and killed hundreds of people in 2018.  

Five buildings tilt dangerously after magnitude 6.4 Taiwan quake

In Italy, architect Renzo Piano was called upon by the national government to help develop a plan for reconstruction efforts following a disastrous 2016 earthquake.

mexico
Faulty seismic design resulted in the collapse of many buildings during a 2017 earthquake that hit Mexico City and Puebla. Image courtesy of Wikimedia user AntoFran.

In wake of deadly earthquake, Italy’s prime minister calls on Renzo Piano to help reconstruction effort

In Chile, meanwhile, the country’s strict building codes helped reduce earthquake casualties during a sizable 2015 earthquake. 

 How Chile’s strict building codes help reduce the country’s earthquake casualties

A 2017 earthquake that hit Mexico City prompted some soul-searching in California, where thousands of existing concrete frame buildings, like many of those damaged in the Mexico City quake, await retrofitting despite the existence of new, more stringent seismic codes. 

Mexico Earthquake reminds that California architecture is vulnerable, with 1,500 at-risk buildings in LA

This is just a small sample of how the design of seismic codes is being felt around the world’s earthquake-prone regions. Not only can adequate seismic design and proper retrofitting be a matter of life and death during a seismic event, its one area of design where architects can have a profound impact on the health and safety of the people who occupy the buildings they design. 

Stay tuned for more coverage of the changing nature of seismic codes. 

Continue reading A quick refresher on architecture’s continuing battle with earthquakes

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Living in a cloud: What nanotech means for architecture and the built environment

Could there come a time when buildings will become less about bricks and mortar and feel more like mists or fogs?

JULY 02, 2019 |

Last month, I wrote about how automation and AI are dramatically changing all four fundamental relationships between buildings and machines. For example, nanotechnology, which manipulates individual atoms and molecules to assemble things, could make the modernist metaphor of a “machine for living in” into reality, since the building would actually be composed of many tiny machines.

In fact, that’s not quite accurate. The definition of “machine” is “an apparatus using or applying mechanical power and having several parts, each with a definite function and together performing a particular task.” 

So machines are made of distinct parts, cobbled together to fulfill a function. They are characterized by their composition, as assemblages of singular bits and pieces in which the whole is greater than the sum.

 

SEE ALSO: Assessing AI’s impact on the AEC profession and the built environment

 

But nanotech will completely change this. When entire buildings can be shaped from microscopic components, the visible distinction between the individual parts will evaporate. A structure built from invisible machines will not appear to be a machine at all, since it no longer will be perceived as an assembly of parts. An edifice made of congealed cybernetic butter will look to be all whole, no parts. The very concept of a “building” could become meaningless, since it will no longer be “built” in any traditional way. 

Remember “Terminator 2”? Arnold Schwarzenegger’s T-800 is a machine: steel and servos wrapped in human skin. Robert Patrick’s T-1000 is made of liquid metal (“mimetic polyalloy”). He’s like sentient mercury, morphing into any shape he needs. A nanotech building (“nanotecture”?) would make conventional structures seem like Robby the Robot (of “Forbidden Planet” fame).

Buttery buildings could change everything we think and know about architecture. Frank Lloyd Wright felt that architectural form should stem from the inherent “nature” of its materials: “Each material speaks a language of its own.” In his mind, the proportions, heft, and texture of brick logically translated into structures such as the Robie House, which extends horizontally and hugs the land. But when the constituent parts of a building are too small to be seen with the naked eye, the relationships between form and materials will change. What is the “language” of a nanobot?

Because the character of a building could vary upon command—hard and opaque one minute, soft and transparent the next—the fabric of buildings could become fluid, fluctuating states from solid to liquid to gas and back. The notion of truth in materials will become irrelevant. In fact, the word material could go away. When the basic building blocks of architecture have no strict definition, structure and substance could separate. Matter may not matter.

Could there come a time when buildings will become less about bricks and mortar and feel more like mists or fogs, vaguely enveloping space in ways we can barely picture now? What will it be like to live in a cloud?

Lance Hosey, FAIA, LEED Fellow, is a Design Director with Gensler. His book, The Shape of Green: Aesthetics, Ecology, and Design, has been an Amazon #1 bestseller in the Sustainability & Green Design category.

Continue reading Living in a cloud: What nanotech means for architecture and the built environment

Speak At A’20

Welcome to the proposal submission site!

We’re developing an incredible education program for A’20 and we’d love your help. We’re accepting proposals for A’20 educational sessions now through August 5, 2019.

A’20 Workshops a separate call
The submission process preconference workshop is now a separate call. If you’re interested in submitting a half-day or full-day workshop proposal, please visit the call for preconference workshops website.

Speaker benefits
All confirmed A’20 speakers will receive a 30% discount on early bird conference registration. We’ll share details about how to use the discount after registration opens in January 2020. This benefit applies to confirmed speakers only. It does not apply to session organizers unless your session organizer is also a confirmed speaker.

What’s behind a winning proposal?
Attendees consistently rate our speakers as a top conference highlight. Your proposal should show how you’ll create an experience that inspires and empowers; features interactive, engaging learning; and showcases emerging trends and innovations.

During the Phase 1 review, we’ll evaluate how well your proposal fit into one of our four learning experience lenses, reflect emerging trends and new ideas, and engaging learning in support of our curricular framework. In particular, we’re interested in proposals for sessions that are 30, 60 and 90 minutes long and appropriate for intermediate, advanced, and expert knowledge levels.

Proposals that advance to Phase 2 will be evaluated for learner outcomes, speaker expertise, attendee value, and 2019 speaker evaluations (where applicable).

We’ll provide feedback on every proposal at each phase of the submission process.

How to submit
Log in below to get started. Update your proposal anytime until the deadline, August 5, 2019, 11:59pm EST. Need inspiration? Check out 2019 schedule.

Resources
For an overview of the conference education program and the submission process, please visit the AIA CES A’20 Call for Proposals Resources page.

Questions & technical support
Contact us at education@conferenceonarchitecture.com. If you need technical support for your submission, please call (410) 638 9239 or (877) 426 6323.

Dates to remember

  • August 5: Phase 1 proposal submissions closes at 11:59pm EST
  • September 20: Notification of acceptance into Phase 2
  • October 21: Phase 2 submissions due by 11:59pm EST
  • December 13: Notification of final acceptance

Log in to the Abstract ScoreCard

Questions? Organizer: Jamie Yeung –

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  • (202) 626-7529

Continue reading Speak At A’20

London’s ‘Color Palace’ is the jolt of energy architecture needs

The installation celebrates vibrant Nigerian textiles and experimental engineering

colorful installation in LondonAdam Scott

In the textile markets of Lagos, Nigeria, bolts of vividly hued fabric are stacked far as the eye can see. They’re often neatly wrapped, waiting for shoppers to unfurl them and reveal their vibrant geometric patterns. These markets inspired the Color Palace, a new pavilion British-Nigerian designer Yinka Ilori and the firm Pricegorecreated for the London Festival of Architecture and Dulwich Picture Gallery.

colorful installation in LondonAdam Scott

The temporary pavilion is an enormous, prismatic slatted cube raised on four stocky red columns that are actually old drainage pipes. The cube’s space frame is composed of wood battens that are all the exact same size. Ilori painted a geometric motif on the facade, with each batten receiving a different color on each side.

This yields an optical illusion: Walking around the pavilion makes it appear like the colors morph, like a lenticular print. When visitors ascend a magenta staircase, they’re totally immersed in the structure and can see, up close, how everything is assembled.

Adam Scott
Adam Scott

“[The pavilion’s] patterns and shapes calmly welcome you from a distance until you get closer and closer, and you’re blown away with an explosion of color that immediately demands your attention,” Ilori said in a news release.

Ilori is best known for designing upcycled furniture, which he paints with bold colors and reupholsters with Nigerian fabrics to symbolize traditional parables. The Color Palace extends that sensibility to a much greater scale that allows him to communicate with people in a more immersive way.

Adam Scott

“The beauty of working on a larger scale is that I am able to tell a more powerful and compelling narrative, allowing the audience to interact and engage with the structure externally and internally,” Ilori tells Curbed.

“Color Palace” is the a jolt of energy architecture needs: It’s a compelling installation that’s both culturally specific and universally expressive, and invites people to learn more about creative engineering techniques. The pavilion is the antithesis of unapproachable, stark, white cubes that have come to be the stereotype of modern architecture—and it’s invigorating.

Continue reading London’s ‘Color Palace’ is the jolt of energy architecture needs

On the Move: Recent Top Promotions and Hires

FLOS

Roberta Silva (pictured at left) has been named CEO of Flos. She was selected by the group’s shareholders together with Piero Gandini, the entrepreneur who sold Flos to Design Holding. As CEO, she will carry forward the brand’s history of excellence and guide the company into a new phase of growth.

York Wallcoverings

Vincent Santini has been named vice president and general manager of York Brands. He will oversee all sales and support for York’s residential and commercial businesses. The company, approaching its 125th year in 2020, hopes to grow its reach in over 85 countries.

WeWork

James Slade has joined the design team at WeWork as VP of architecture. He will work with SVP of architecture Michael Rojkind and chief architect Bjark Ingles on all ground-up projects. Slade co-founded Slade Architecture with his partner, Hayes Slade, in 2002, and has built projects in the United States, Europe, and Asia.

Ware Malcomb

Joshua Thompson (pictured at right) has been promoted to studio manager, interior architecture and design in Ware Malcomb’s downtown San Diego office. He previously served as senior project manager for the past five years in the Phoenix office. He will lead Ware Malcomb’s interior architecture & design studio in San Diego and manage select projects.

R&A Architecture & Design

Culver City-based R&A Architecture & Design is rebranding their firm to OfficeUntitled and expanding the leadership team, made up of principals Christian Robert, Benjamin Anderson, Shawn Gehle and Lindsay Green. Recent projects include Woodlark Hotel in Portland, The Cayton Children’s Museum in Santa Monica, and the Harland in Beverly Hills.

The Switzer Group

Sabrina Pagani has joined The Switzer Group’s Manhattan team as principal. She will oversee a number of high-profile workplace interiors out of the nationally ranked interior architecture firm’s New York studio.

BDG Architecture + Design

BDG Architecture + Design is opening a new studio in New York, expanding into the North American market. BDG’s global chief creative officer, Colin Macgadie will provide creative direction for the studio. Kelly D. Powell and Rebecca Wu-Norman will be studio leads.

TRIO

Ericka Moody has joined TRIO as regional vice president. Moody is a 30-year veteran of the interior design industry and has overseen hundreds of successful national and international projects. TRIO has expanded its work in California significantly over the last several years and has recently completed dozens of projects, including work with Touchstone Communities, Shea Homes, and Simpson Property Group.

Perkins + Will

Maha Sabra has been promoted to associate principal in the New York studio of Perkins + Will in support of the healthcare practice. In the past five years at the studio, she has transitioned from a design practitioner to project manager. As a senior project manager, Sabra plays a central role leading the studio’s healthcare teams.

HOK

Kimberly Dowdell (pictured at right) has returned to HOK as director of business development in Chicago. Dowdell is a licensed architect with a wealth of expertise in strategic planning, design, project management, housing policy, and real estate development. She previously worked in HOK’s New York studio from 2008-2011.

Wilson Associates

Kathleen Lynch has joined the Dallas studio of Wilson Associates as operations director. Lynch has 15 years of professional experience as a LEED-accredited interior designer and field manager. She will oversee teams on a roster of hospitality projects in Nevada, California, and other areas across the Southwest.

WRNS Studio

Kevin Wilcock has joined WRNS Studio as associate principal. He brings 25 years experience leading affordable and market-rate housing projects. He will be based out of WRNS Studio’s Honolulu office, guiding the studio’s multi-family housing practice with a focus on the Pacific region.

Read more: On the Move: April’s Top Promotions and Hires

Continue reading On the Move: Recent Top Promotions and Hires

15 Incredible Pools from Around the World

Ah, the swimming pool. There’s nothing like it to beat the heat on a hot summer day or to add a splash of luxury to any hotel or summer home. From Peru to the Hamptons, here are 15 pools so cool they’ll have you racing for your swimsuit.

1. Architecture Meets Archaeology at Explora Valle Sagrado, a Peruvian Hotel by José Cruz Ovalle

Surrounded by Incan ruins, the pool at the Explora Valle Sagrado hotel in Huayllabamba, Peru, offers jaw-dropping views of the Andes courtesy of José Cruz Ovalle Estudio de Arquitectura. Read more about the project here

2. Nani Marquina’s Costa Brava Retreat Is a Collector’s Paradise

.Read more about the residence here

3. L’Horizon Resort and Spa by Steve Hermann Design

Amidst midcentury bungalows designed by the one and only William Francis Cody, this refreshing pool at L’Horizon Resort and Spa by Steve Hermann Design Studio bursts with Palm Springs modernism. Read more about the project here

4. Jouin Manku Designs Sensory Annex for Hôtel des Berges in France

Take the form of a timber barn traditional in Alsace. Add a trace of ancient Roman baths, a soupçon of American Shaker style, an aura of Zen, the savoir faire of local artisans, some high-tech spice, and tons of contemporary zest. Mix well. That’s the design recipe for Jouin Manku’s ground-up annex for the Hôtel des Berges. In this photo, the warmer of the two plunge pools flows outdoors to become a hot tub. Read more about the project here

5. Tihany Design Completes First Residential Project in 25 Years in Dubai

In traditional Arabian style, Tihany Design‘s C-shaped Dubai manse—its first residential project in 25 years—centers on a courtyard, pool included. “From November through March, the weather is spectacular,” Interior Design Hall of Fame member Adam Tihany says. “It’s like Southern California.” Read more about the project here

6. Austin City Limits: Lake Flato and Abode Transform Texas Lake House

This 50-foot long custom lap pool in Austin, Texas was co-designed by Lake Flato and Abode. The pool is a must for the homeowner’s triathlon training regimen. “We had to measure his arm reach to make sure he didn’t hit the bridge when doing the crawl,” says project architect Brian David ComeauxRead more about the project here

7. GilBartolomé Architecture’s Evocatively Edgy House Pushes the Notion of Indoor/Outdoor Living to the Extreme

GilBartolomé Architecture‘s waterfront residence overlooks the Mediterranean Sea in Granada, Spain. The pool is situated on the lowermost of multiple terraces, each shaded by an undulating roof. The residence itself is built directly into the cliffside. Read more about the project here

8. Oceanfront Home by Dorothee Junkin Brings Florida’s Lush Vegetation Inside

For this Vero Beach, Florida, residence, designer Dorothee Junkinaimed to create a sleek, sophisticated home that didn’t look like a typical Floridian oceanfront house. She added an infinity-edge pool with uninhibited views of the Atlantic Ocean. Read more about the project here

9. Ali Tayar’s Penultimate Project Epitomizes His Rational Yet Utterly Humanistic Vision

The living room cantilevers over the waterfall-edge pool at a Beirut home designed by the late Ali Tayar of Parallel Design Architecture. Tito Agnol lounge chairs populate the pool deck. Read more about the project here

10. Indoor-Outdoor Living Refined by Minarc in Los Angeles

This Minarc-designed house’s lower level is lined with sliding doors that open directly onto the pool deck, the layout conducive to the homeowners’ indoor-outdoor Los Angeles lifestyle. Read more about the project here

11. Lawson-Fenning Enlivens a Sunlit Los Feliz Home with Modern Charm

The hillside neighborhood of Los Feliz is no stranger to modern design. Home to Frank Lloyd Wright’s Ennis House and a stone’s throw from Griffith Observatory, the neighborhood is much opposed to the over-the-top glamour of Hollywood Hills. It’s also where Los Angeles-based company Lawson-Fenning crafted the interiors of a sun-filled family home. Read more about the residence here

12. Cream Reconfigures a Hilltop Hong Kong House to Take Advantage of Sweeping Views

Although this three-story house sits atop Hong Kong’s Victoria Peak, it didn’t always capitalize on the location’s commanding views. Cream intervened with a sandstone terrace and pool, the latter tiled with a custom mosaic. Read more about the project here

13. Miguel Correia’s Green Design for Sobreiras-Alentejo Country Hotel

FAT–Future Architecture Thinking‘s Sobreiras–Alentejo Country Hotel, outside the town of Grândola, is an unexpected minimalist oasis in a fragile, savanna-like, arid landscape. Ceramic tile surfaces the terrace connecting the lounge, restaurant, and pool, which tops a 1,000-square-foot events space. Read more about the project here

14. Dana Oberson Brings an Eclectic Touch to Israel’s Publica Isrotel

Visitors to the rooftop pool deck of the Publica Isrotel, designed by Dana Oberson Architects, are treated to sweeping views of the Herzliya city skyline. Read more about the project here

15. An Artsy Sag Harbor Retreat by Groves & Co. Is All About the Mix

The owners of this Sag Harbor, New York, getaway use the entire residence for entertaining, including the poolside patio, where guests can experience true submersion in their surroundings. To bridge the attitudinal divide between art and architecture, Groves & Co. embraced eclecticism. Read more about the project here

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WELCOME ASID MEMBERS!

Are you ready to explore the world’s architecture?

In collaboration with Architectural Adventures, the official travel program of the American Institute of Architects, ASID is offering expert-led, small-group architectural tours providing travelers with distinctive and exclusive opportunities to engage with the past, present, and future of building and design in the world’s great sites and cities.

“I searched all over for tours which would appeal to my interest in architecture. Architectural Adventures satisfied this need and I hope to go on many more adventures with them.”
– Traveller from the 2017 Barcelona tour
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Seven Learnings to Abide by in the Interior Design Sector

Seeing beauty, identifying key elements that become part of the design story.
 
Seven Learnings to Abide by in the Interior Design Sector

Image credit: graphicstock

 
5 min read
Opinions expressed by Entrepreneur contributors are their own.

You’re reading Entrepreneur India, an international franchise of Entrepreneur Media.

There are certain attributes of a profession and one has to catch hold of them in order to work efficiently and grow in that business.I share my experience as an interior designer, a profession of great esthetic value and charm.

1- The Art of Listening 

I start my work by listening. Interior design is about expressing ideas in a visual and experiential way. At the beginning, before any proposal or suggestion, I firstly listen carefully to find out what the client’s vision is. Sometimes, it is not clearly defined, but through discussion and getting to know a little more about them, their way of life, it is easier to craft a framework for a narrative. 

4 Myths and 4 Truths About Starting to Sell Online (Infographic)

Listening is also about having all our senses open and being receptive to inspiration around us.

Recently I was on the Adriatic Riviera, for a hotel renovation that is on the water. While walking with the client to get a feel for the upcoming project, I paused and listened to the sounds of the gentle waves against the rocks. It was the lulling, dreamy and calming sound of the sea, that I have taken with me as a memory to recreate on the mood board. 

2- The Ability to Observe

Next step is looking, seeing beauty, identifying key elements that become part of the design story. The world around us is rich with examples of good design, showcases of craftsmanship, and moments of exquisite inspiration. Extracting details and inspiration from our surroundings, like choosing an antique piece and updating it for a contemporary use is something I find as the most enjoyable part of the interior design process.

3- The Interface with Architecture

A sense of place and respect for the architectural envelope is a pillar of interior design.  Interior design embraces location, and should be a natural progression of the architecture it is set within. The best projects I have worked on are the ones where interior design and architecture have overlapped seamlessly, from floor transition to harmonious material palettes, all the way to a great result, where people don’t talk about it as a space but more like an experience that has left a memory. 

4- Functionality

I am a believer of ‘If it doesn’t work, don’t do it’. Function comes before form, so for an interior design that stands the test of time, it should have purpose. …to paraphrase Adolf Loos’s ‘ornament is crime’ thesis on design, I believe that beauty for the sake of superficial decoration is harmful and waters down a strong concept.

5- A Question of Scale

Studying scale and seeking the right proportions is fundamental to interior design. Grandeur, luxury, intimacy are abstract notions that take form by how we apply scale or with which materials we choose to work with.  High ceilings give a sense of space and airiness to a room.  Human scale is important to make us feel comfortable and cosy. Large floorboards from mature oak trees, where you can ‘read’ grain are more luxurious than thin strips of wood on a floor for example. A wall of large bookmatched slabs of a veiny stone is always more grand than regular tiles. The choices we make, when it comes to scale, are imperative for the end result.

6-Balance and Contrast 

 A sense of balance and harmony is my ultimate quest when designing a space. I use layering to achieve balance and harmony. The could be  a ‘tone on tone’ scheme with one accent strong colour or a material palette that combines smooth , polished textures with more natural, stripped down surfaces.

Natural materials are always best and at the top of my preferences list. Knowing the properties of each material is essential. Wool is naturally fire retardant, a very important property for commercial spaces. Silk breathes and is cool in the summer as well as warm in winter. Colour may fade however if used in a room with direct sunlight. Ceramics are so versatile. I personally love the relief ceramic tiles, and like using them in unexpected ways, like on table tops in a restaurant or to add  ‘ movement’ and interest on the front of a cocktail bar counter. Contrast adds drama. Playing with light and dark adds interest. Sometimes it is about creating a sequence and transition from a dark space to a lighter one.  

7-Maximising Potential

You can apply this rule in many things in life. In interior design it means making the most of what you have. Planning a bathroom to be as efficient as possible, or creating flexibility in a hotel lobby to be used by different people in many ways. In small bedrooms, using a writing table by the bed, means a bedside surface doubles up as a desk, bringing down the number of furniture in the room and making it feel spacious without compromising function. If there is a window with great views, it is about choosing to have a comfortable armchair there and creating a ‘relaxation’ moment. The art of interior design combines knowledge from different fields, the ability to discover opportunities and convert a given space into a truly memorable experience. Ultimately, interior design is a step towards creating a better world, starting from our surroundings.

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Continue reading Seven Learnings to Abide by in the Interior Design Sector

A New York Pied-à-Terre by STADT Architecture Offers Respite From the Urban Environment

Leafy parks and thoughtful interiors offer respite within urban environments. For a New York pied-à-terre by STADT Architecture, the design combined both for a true break from the city. The client asked to evoke the lush landscape of southwestern Canada. In response, STADT developed a photograph of Vancouver’s largest park into a custom hand-painted wall covering that dominates the bedroom. Gold leaf mixes with saturated green tones on the headboard wall and ceiling. For this unique touch, STADT principal Christopher Kitterman looked to 16th-century canopy beds for inspiration.

The custom wall covering in the bedroom was a collaboration with Calico Wallpaper. Photography by David Mitchell.

The couple saw eye to eye on the layout changes and material palette but had different wishes for furnishings. “One wanted to furnish the space with all new furniture while the other was interested in searching for one of a kind pieces,” Kitterman says. The result is a mix that shows compromise, with contemporary items alongside vintage ones.

Two large acid-etched glass doors separate the bedroom from the living room. Photography by David Mitchell.
The dining room table, chairs, and lighting fixture are from 1stdibs. Photography by David Mitchell.
The new kitchen is open to the living room to maximize natural light. Photography by David Mitchell.
The living room’s lounge chair is by Hans Wegner. Photography by David Mitchell.
Photographs over the sofa are by Sze Tsung Leong while the coffee table is steel and glass. Photography by David Mitchell.

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Hariri & Hariri Architecture to Design Contemporary Muslim Fashion Exhibition for de Young Museum

A rendering of Hariri & Hariri Architecture’s exhibition space for “Contemporary Muslim Fashions” at the de Young Museum. Photography courtesy of deYoung Museum.

Continue reading Hariri & Hariri Architecture to Design Contemporary Muslim Fashion Exhibition for de Young Museum

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